Step up to interchangeable lens video creation with the versatile EOS R50 V.
This APS-C Mirrorless EOS V Series camera lets you take control of your next video production by blending some of the best features of the Cinema EOS and EOS camera lines together.
This EOS R50 V lens kit comes with our RF-S14-30mm F4-6.3 IS STM PZ lens - A lightweight, travel friendly, ultra-wide angle to standard zoom lens created with power zooming capability to create beautiful videos. UI Designed for the Creator The EOS R50 V was designed through creator feedback to solve many of the pain points of creators.
Its' exterior was completely redesigned to be bold, modern, and untraditional in appearance.
An appearance that clearly indocates that this camera is meant to be taken with you wherever your videos
take you!
The convenience and power of this camera goes far beyond portability.
Enjoy smooth powered zooming with an on camera zoom lever (for Power Zoom compatible lenses), a 3-micrphone array for clear audio and unwanted noise reduction, and the latest Canon Multi-function shoe to attach and power additional compatible accessories. Vertically Versatile As a product made for today's video content creator, it comes equipped with both a vertical and horizontal tripod mount.
These are available on the side of the camera's grip, and also on the bottom of the camera body.
When in Movie mode, the on-screen menu's automatically rotate based on the camera's orientation. Always Ready, and Never Surprised Since many creators spend a lot of time in-front of the camera, two Record buttons are available, one on the front of the camera so you can start your recording with confidence when vlogging, and another in the traditional Shutter button position when you're behind the camera.
Additionally, it is equipped with a red tally (visible from the front and top of the camera), and an
LCD screen that
displays a red-colored recording emphasis border around your LCD image to let you know when the camera is actively recording, so you or your subject are never surprised. Ready to Create The EOS R50 V comes equipped with a zoom lever allowing Power Zoom lenses such as the RF-S14-30mm F4-6.3 IS STM PZ lens to be controlled at the camera body.
Control of the zoom speed can be fully customized in the camera's menu allowing separate control of the speed for before recording, and separately for during recording.
The camera also comes equipped with Mic, Headphone, and an E3 Remote port. Pro Look Settings Simplified A new mode dial experience now features 7-different video focused modes at your fingertips.
Newcomers to video can utilize the fully Automatic video exposure mode functionality, including the Scene mode featuring a dedicated video mode for "close-up demos" perfect for Video, or Small Business Creators doing E-commerce product demonstrations.
This mode is ideal for creators who want to present an object close to the lens, and quickly have the focus return back to them.
There's also a mode dedicated to Movie Image Stabilization - for those recording vlogs on the go.
And because appearance is important on-camera, a dedicated Smooth Skin movie mode is also included. Control Time with Slow and Fast Mode New to the EOS R50 V mode dial is the Slow and Fast mode - selecting this mode allows creative control of both the video frame rate and playback speed separately and in-camera, for slow-motion recordings, or fast-motion time-lapse sequences.
Simply select your recording resolution of UHD 4K, UHD 4K Crop or Full-HD, then select your frame rate with options as fast as 59.94p in 4K Crop, or 119.8p in Full-HD, then simply determine your playback speed your desiring to match your project. Focused On You The EOS R50 V comes with Canon's powerful Dual Pixel CMOS AF II focusing system, providing tenacious tracking that follows you or your subject when recording or taking photos. Easy to use Subject Detection modes include People, Animals, Vehicles, and Auto mode, allowing high precision autofocus with ease and reliability. The EOS R50 V even has the Register People Priority Autofocus mode found in our flagship EOS R1, EOS R3 and EOS R5 Mark II mirrorless cameras. Simply take a photo of your subject to register them, and they'll be prioritized over other subjects in the scene based on your ranking, so the important subjects in your videos and photos will be in focus. For the Stills Photographer As an EOS V-series product, optimized for video, you might think that we forgot about still photography features, but rest assured, we packed lots of incredible image capturing capabilities into this very travel friendly camera.
It has a full-fledged "Photo" mode with a host of manual and automatic shooting modes available.
With a powerful 24.2-megapixel, APS-C image sensor, a DIGIC X image processor, and as a mirrorless interchangeable lens camera, it is built with the Canon RF mount - allowing the use of over 50-different RF, and RF-S lenses to empower your creativity. Go LIVE to Connect to Your Audience This camera also offers tremendous networking capability - offering 5 and 2.4Ghz Wi-Fi, Bluetooth, and built-in Wireless Livestreaming capability via both the Canon Camera Connect app, and the Live Switcher Mobile app. Additionally, its USB C terminal offers USB UVC/UAC streaming for use of the camera as a webcam, and separately an HDMI streaming mode offers a clean HDMI connection to HDMI capture cards and switchers, providing multiple options to connect with your audience. All of these settings can now be accessed through the Live button, but if Livestreaming isn't your thing, it is one of 8 different customizable video buttons on the camera!
- Type
- Digital interchangeable lens mirrorless camera
- Image Processor
- DIGIC X
- Recording Media
- (One) SD card slot
- - Compatible with UHS-II/UHS-I/UHS speed class/SD speed class
- - Eye-Fi cards and Multimedia cards (MMC) are not supported.
- Compatible Lenses
- Canon RF lenes (including RF-S lenses)
- Canon RF-S3.9mm F3.5 STM Dual Fisheye lens and RF-S7.8mm F4 STM Dual lens
- * When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses)
- Lens Mount
- Canon RF mount
- Type
- APS-C CMOS sensor (compatible with Dual Pixel CMOS AF)
- Effective Pixels
- Approx. 24.0 megapixels
- Aspect Ratio
- 3:2 (Horizontal: Vertical)
- Color Filter System
- RGB primary color filter
- Low Pass Filter
- Installed in front of the image sensor, non-detachable
- Dust Deletion Feature
- Self Cleaning Sensor Unit not provided.
- Manual cleaning (by hand) not supported.
- Dust Delete Data acquisition and appending
- - The coordinates of the dust adhering to the low-pass filter are detected by a test shot and appended to subsequent images.
- - The dust coordinate data appended to the image is used by the EOS software to automatically erase the dust spots.
- - Not available during focus bracket shooting.
- Recording System
- Recording Format
- Compliant to Design rule for Camera File system 2.0 and Exif 2.31*
- *Supports time offset information
- Image Format
- JPEG (.JPG), HEIF (.HIF), RAW, C-RAW (.CR3)
- Movies: XF-HEVC S YCC422 10 bit
- XF-HEVC S YCC420 10 bit
- XF-AVC S YCC422 10 bit
- XF-AVC S YCC420 8 bit
- *1: When a movie is recorded with [Add CP file: On] set when [Custom Picture] is active,a ".CPF" file will be created.
- Still image resolution
- RAW, C-RAW -- 24.0 MP (6000 x 4000)
- Large (L) -- 24.0 MP (6000 x 4000)
- Medium (M) -- Approx. 10.6 MP (3984 x 2656)
- S1 -- Approx. 5.9 MP (2976 x 1984)
- File Numbering
- The following file numbers can be set:
- 1. File numbering methods
- a. Continuous numbering
- i. The numbering of captured images continues even after you replace the card.
- b. Auto reset
- i. When you replace the card, the numbering will be reset to start from 0001. If the new SD card already contains images, the numbering will continue from the last recorded image in the card.
- 2. Manual reset
- a. Resets the file number to 0001, and creates a new folder automatically.
- * When manually resetting the file number, folders can also be renamed.
- RAW + JPEG / HEIF Simultaneous Recording
- Simultaneous recording of any combination of RAW/C-RAW and JPEG/HEIF image-recording quality is supported.
- Color Space (sill images)
- sRGB
- (HDR PQ images - BT.2020)
- Picture Style
- (Set via Color Mode menu or Color Mode button)
- (1) Auto
- (2) Standard
- (3) Portrait
- (4) Landscape
- (5) Fine Detail
- (6) Neutral
- (7) Faithful
- (8) Monochrome
- (9) User Defined 1-3
- * Picture Style files can be registered to user-defined settings 1-3.
- Settings
- (1) Auto (Ambience priority/White priority)
- (2) Daylight
- (3) Shade
- (4) Cloudy*1
- (5) Tungsten light
- (6) White fluorescent light
- (7) Flash*2
- (8) Manual
- (9) Color temperature 1
- (10) Color temperature 2 Approx. 2500K-10000K*
- (11) Color temperature 2 Set in 100K increments
- (12) Color temperature 4
- *1: Effective also in twilight and sunset.
- *2: With an EX / EL-series Speedlite having the color temperature information transmission feature, the color temperature setting changes to match the color temperature when the flash is fired. Set to approx. 6000 K if the flash unit does not have the color temperature communication feature.
- * Can also be changed during movie recording when Creative (Movie) Zone is set.
- * Color temperature 1-4 can be switched with [Customize buttons for shooting: Switch color temperature]
- Auto White Balance
- Option between ambience priority and white priority settings, using SET button
- White Balance Shift
- Blue/amber bias: ±9 levels
- Magenta/green bias: ±9 levels
- - Shifted from the color temperatue of the current WB mode.
- - Blue/amber and magenta/green shift can be set at the same time.
- (WB Bracketing not supported)
- Focus Method
- Dual Pixel CMOS AF
- Number of AF zones available forAutomatic Selection
- AF area: Horizontal: Approx. 100% x Vertical: Approx. 100%
- (100% x 100% AF coverage in Face Detect + Tracking AF; coverage can vary, depending upon lens being used)
- Stills: Max. 651 zones (31 x 21)
- Movies: Max. 527 zones (31 x17)
- Selectable Positions for AF Point
- AF area: Horizontal: Approx. 90% x Vertical: Approx. 100%
- Stills: Max. 4503 positions (79 x 57)
- Movies: Max 3713 positions (79 x 47)
- Focusing brightness range(still photo shooting)
- EV -5.0 to 20 (with an f/1.2 lens,* center AF point, One-Shot AF at room temperature, and ISO 100)
- * Except RF lenses with a Defocus Smoothing (DS) coating.
- Focusing brightness range(movie recording)
- EV -2.5 to 20 (with an f/1.2 lens,* center AF point, One-Shot AF at room temperature, ISO 100, and29.97 / 25.00 fps.)
- * Except RF lenses with a Defocus Smoothing (DS) coating.
- Available AF Areas (still images and movies)
- - Spot AF
- - 1-point AF
- - Expand AF area: Above/below/left/right
- - Expand AF area: Around
- - Flexible Zone AF 1
- - Flexible Zone AF 2
- - Flexible Zone AF 3
- - Whole area AF
- Available Subject Detection (still images and movies)
- - Auto
- - People
- - Animals (dogs / cats / birds/ horses)
- - Vehicles (motorsports cars / motorcycles / airplanes / trains)
- * Certain types of animals or vehicles may not be detected, depending on shape and appearance
- Eye Detection
- Auto:
- - Selects the eye closer to the camera (as detected from the angle of the face).
- - At the same distance from the camera, selects the eye closer to the center of the AF area.
- Left/right eye detection: Supported (refers to subject's left/right eye)
- Available Functions
- Dial direction during Tv/Av; Control ring rotation direction; Customize buttons; Customize dials
- Metering Modes
- Real-time metering from CMOS image sensor (384 [24x16] metering zones)
- (1) Evaluative metering (AF point-linked)
- (2) Partial metering (approx. 5.8% of the area at the center of the screen)
- (3) Spot metering (approx. 2.9% of the area at the center of the screen)
- (4) Center-weighted average metering
- * Movie recording: Evaluative metering only
- Metering Range
- Still Photo Shooting: EV -5 to 20
- Movie Recording: EV -2.5 to 20 (4K) / EV -3.0 to 20 (Full HD)
- Exposure Modes
- Still photo shooting:
- - Full Auto (A+), P, Tv, Av, M
- - Self-portrait, Portrait, Smooth skin, Panoramic shot, Food, Handheld Night Scene
- Movie recording:
- - Movie auto exposure, Shutter-priority (Tv), Aperture-priority (Av), Movie Manual exposure
- Type
- Electronically controlled focal-plane shutter.
- Rolling shutter, using the image sensor.
- (1) Electronic first curtain
- (2) Electronic shutter
- * When set to [Electronic], the camera makes no mechanical shutter sound. (An electronic shutter sound can be configured in [Beep] and [Volume: Shutter volume]). Note that the camera may make sounds other than the shutter release sound, such as sounds for aperture adjustment or the lens focus drive, or beeps. Moreover, using long exposure noise reduction with shutter speeds of 1 sec.or longer involves a mechanical second-curtain shutter, which produces a mechanical sound.
- * Bands of light may be displayed and captured images may be affected by light and dark banding when shooting under fluorescent lighting or other flickering light sources with the camera set to [Anti-flicker shoot.: Disable].
- Shutter Speeds
- Electronic 1st-curtain shutter:
- 1/4000th sec - 30 seconds, in 1/3-step increments
- Electronic shutter:
- 1/8000th sec - 30 seconds, in 1/3-step increments
- X-sync Speed
- Elec. 1st-curtain: 1/250 sec. (flash not possible with Electronic shutter)
- Shutter Release
- Soft-touch electromagnetic release
- Self Timer
- 10-sec. delay, 2-sec. delay, Continuous
- Still Photo IS
- In-body IS not provided.
- (lens optical Image Stabilization supported)
- E-TTL flash metering
- Evaluative (Face Priority) / Evaluative / Average
- Accessory Shoe
- Canon Multi-function accessory shoe
- -Optional Canon AD-E1 adapter required for conventional shoe-mount flashes and accessories
- -No traditional flash contacts on accessory shoe
- E-TTL balance
- Ambience priority, standard, flash priority
- Flash Exposure Compensation
- ±3 stops (in 1/3-stop increments)
- Continuous flash control
- E-TTL each shot / E-TTL 1st shot
- Still-image HDR shooting
- - HDR PQ (HEIF images)
- - HDR mode (final image composited from three initial images)
- - HDR PQ and HDR can be combined
- Disable / Enable
- * Can be used in conjunction with Auto Lighting Optimizer.
- Movie HDR PQ
- According to setting of movie recording format
- * Cannot be set for XF-AVC S YCC420 8 bit
- Continuous HDR Shooting (still images)
- 1 shot only / Every shot (HDR mode shooting only)
- Video resolution
- 4K (UHD only; 3840 x 2160 (16:9) - oversampled from 6K recording
- 4K Crop (3840 x 2160; not oversampled)
- Full HD (1920 x 1080)
- Video compression
- LongGOP (equivalent to IPB); Intra (= All-I) for Time Lapse video recording
- Video Gamma, Color Space options (in CP/Custom Picture menu)
- Canon 709
- Canon Log 3
- PQ (HDR PQ; BT.2020
- HLG (BT.2020)
- BT.709 Standard
- Vertical video recording
- Available (video shooting info display can be rotated, for shooting & playback)
- Vertical tripod socket on grip side of camera
- Auto Level display available during video recording
- Audio recording
- Built-in microphone; separate Left & Right Stereo inputs
- - Noise detection microphone (for AF focus drive noise, white/floor noise)
- - 16-bit/2 CH or 24-bit/4 CH recording possible (2 channel for built-in mic)
- - 48 kHz sampling frequency
- 3.5mm stereo mini-jack (3-pin) for external mics
- Digital mic input at Multi-function Shoe (Canon DM-E1D Stereo MIcrophone, etc.)
- Auto or Manual sound recording levels (64 manual levels available)
- 3.5mm Headphone terminal (stereo mini-jack)
- Video AF
- One Shot AF; Movie Servo AF available in AF Menu
- Exposure Compensation
- ±3 stops (in 1/3-stop increments)
- Time Code
- Yes (Count up, Start time setting, Movie recording count, Movie play count, HDMI time code on/off, HDMI rec. command on/off, Drop frame enable/disable)
- Movie Pre-recording
- Not supported
- Special frame rates
- High Frame Rate recording (FHD only) up to 119.98 fps
- S & F (Slow & Fast recording mode): 120p, 60p, 30p, 12p, 6p, 3p
- - User-selectable playback speed: 23.98p, 29.97p, or 59.94p
- - Full HD only
- - Audio not recorded
- Time-lapse Playback Frame Rate
- 29.97 (set to NTSC); 25.00fps (set to PAL)
- Type
- TFT color, liquid-crystal monitor
- Monitor Size
- 3.0-inch (screen aspect ratio of 3:2)
- 2.95 in./7.5cm diagonal (2.44 in./6.2cm width, 1.65 in./4.2cm height)
- Dots
- Approx. 1.04 million dots
- Coverage
- Approx. 100% vertically/horizontally
- Brightness Control
- Manually adjustable to one of seven brightness levels
- Touch-screen Operation
- Supported for AF Point selection; Touch AF; Touch Shutter; Menu selection; Quick Control Menu; Magnified View; Volume Touch Sounds: 0 (silent) to 5
- Coating
- Anti-smudge coating not provided.
- Anti-reflection coating not provided.
- Interface Languages
- 29 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Ukraine, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Malay, Indonesian, Japanese)
- Function
- The Quick Control screen can be accessed by pressing the Quick Control button during shooting, recording, or playback.
- Quick Control Screen
- The following settings can be set in the [Quick Ctrl screen] menu during movierecording.
- Three options during video recording:
- - Q1; Q2; Q3
- - Display position selectable in Q1
- - User-selectable in red Shooting Menu* When [Q]1 is set, [Lock disp. position: Enable/Disable], [Disp. position: Alignright/Align left], and [Vertical position: Align top/Align bottom] in [Quick Ctrldisp position] are settable.
- Protection
- (1) Single image (select image)
- (2) Select range
- (3) All images in a folder
- (4) All images on card
- - Image browsing and image search can be based on ratings.
- - Ratings-based image selections also possible with DPP.
- (5) All found images (only during image search)
- Erase
- Except protected images
- (1) Select images to erase
- (2) Select range
- (3) All images in folder
- (4) All images on card
- (5) All found images (only during image search)
- Supporting Standards
- Equivalent to IEEE 802.11b/g/n/a/ac Standards
- Transmission Method
- DS-SS modulation (IEEE 802.11b)
- OFDM modulation - CSMA / CA (IEEE 802.11g/n/a/ac)
- Transition Frequency (Central Frequency)
- 2.4 GHz band
- Frequency: 2412 to 2462 MHz
- Channels: 1 to 11 channels
- 5.0 GHz band
- Frequency: 5180 to 5825 MHz
- Channels: 36 to 165 channels
- Connection Method
- (1) Camera access point mode
- (2) Infrastructure mode
- Communication with a Smartphone
- - Images can be viewed, controlled, and received using a smartphone.
- - Remote control of the camera using a smartphone is possible depending on the Camera Connect specifications.
- - Images can be sent to a smartphone.
- - NFC connection: Not supported
- - Supported images: JPEG, HEIF, RAW/C-RAW, MP4 video files
- - Transcoding while sending: Size to send (original / reduced size); Quality to send (original / compressed)
- Remote Operation Using EOS Utility
- The camera can be controlled via Wi-Fi® or USB, with Canon EOS Utility software installed in acompatible Mac or Windows computer.
- Print from Wi-Fi® Printers
- Supported
- Send Images to a Web Service
- image.canon: Video files (MP4) and JPEG, HEIF, RAW or C-RAW still images can be uploaded to image.canon servers.
- From image.canon, images can be sent to specific social media and 3rd-party cloud image services.
- Standards Compliance
- Bluetooth Specification Version 4.2 compliant (Bluetooth Low Energy technology)
- Transmission Method
- GFSK modulation
- Bluetooth Pairing
- Smartphone - up to 10 devices; BR-E1 remote controller - 1 unit
- USB Video Class (UVC)
- Available
- * The camera is accessible to software (such as Zoom™, MS Teams™, Skype™, etc.) on a computer once connected via USB
- Live Switcher Mobile streaming
- Available.
- * Connect devices (smartphone) to multiple cameras via Wi-Fi, the actual video to be streamed can be selected/switched using the app while streaming. Streaming is possible with YouTube, Facebook, etc.
- HDMI Streaming
- Available.
- * Connect devices (PC, external screen, video switcher) and the camera with an HDMI cable. Using apps suchas OBS Studio, streaming is possible with Teams, Skype, YouTube, Facebook, etc.
- Camera Connect streaming
- Available.
- * Connect devices (smartphone) and the camera with Bluetooth, set up streaming, then stream via Wi-Fi.Streaming is possible with YouTube, Facebook, Twitch, etc.
- USB Terminal
- Equivalent to Super-Speed Plus USB (USB 3.2 Gen 2)
- - For PC communication / smartphone communication (Live streaming not possible through USB)
- - Terminal type: USB Type-C
- - Shared with terminal for in-camera charging with USB Power Adapter PD-E1.
- HDMI Out Terminal
- HDMI micro OUT terminal (Type D)
- * HDMI CEC not supported
- * Images not displayed unless [For NTSC] or [For PAL] is set correctly for the TV video system
- Clean HDMI Output
- Provided
- Microphone terminal
- 3-Pin Microphone IN
- Headphone terminal
- 3.5mm diameter stereo mini-plug
- Remote Control terminal
- Canon E3 type (single pin socket)
- Battery
- Canon LP-E17 battery pack
- - Battery charger: Canon LC-E17 charger; supplied with camera
- - With the AC Adapter AC-E6N + DC Coupler DR-E18, AC power is possible (AC Adapter Kit ACK-E18can also be used).
- - USB Power Adapter PD-E1 or PD-E2 supports in-camera charging of Battery Pack LP-E17 when the camera is turned off and can supply power when the camera is turned on.
- Optional Battery Grip
- Not supported
- Battery Check
- Automatic battery check with 4-level display when the power switch is turned ON.
- Start-up Time
- Approx. 0.4 sec.
- - Based on CIPA testing standards.
- Dimensions (W x H x D)
- Approx. 4.7 x2.9 x 4.2 in. / 119.3 x 73.7 x 106.7mm
- - Based on CIPA standards.
- Temperature Range
- 32-104°F / 0-40°C working range
- Humidity Range
- 85% or less working range
- Lens Construction
- 10 elements in 9 groups
- Special Elements
- One UD Lens, Two Aspheric Lenses
- Lens Coating
- Canon SSC (Super Spectra Coating)
- Filter Size Diameter
- ø58 mm
- Aperture Blades
- 7
- Image Stabilization (yaw/pitch directions)
- Provided via gyro sensors (1 each for yaw and pitch)
- Focusing Drive System
- Two Nano USM focus motors
- Full-time Manual Focusing
- Yes
- (Supports both ONE SHOT AF and SERVO AF with compatible EOS R-seriescameras)
- Dual Pixel CMOS AF Coverage (Horizontal x Vertical)
- - EOS R - Approx. 88% x 100%
- - EOS R5/R6 - Approx. 90% x100%
- - EOS R7/R10/R50 - Approx. 100% x 100%
As an international traveller you are entitled to bring a certain amount/value of goods that are free of Customs duty and exempt Goods and Services tax (GST) into New Zealand. This is called your duty free allowance and personal goods concession. It is important to review these for any purchases you make on The Mall.
Your duty free allowance entitles you to bring into New Zealand the following quantities of alcohol products free of customs duty and GST provided you are over 17 years of age. You do need to be 18 years or over to purchase.
- Up to six bottles (4.5 litres) of wine, champagne, port or sherry or
- Up to twelve cans (4.5 litres) of beer
- And three bottles (or other containers) each containing not more than 1125ml of spirits, liqueur, or other spirituous beverages
Goods other than alcohol and tobacco, whether purchased overseas or purchased duty free in New Zealand, that have a combined total value not exceeding NZ$700 may also be brought as part of your personal goods concession.
When travelling overseas there are legal limits on the amount of duty free alcohol and other goods you can take with you. These amounts will vary depending on the country you are flying into. We always recommend you check the latest limits and exemptions.
Your order can be picked up at an Auckland Airport Collection Point. There is one in departures and one at arrivals in the international terminal. Alternatively, if you are arriving between 11pm and 6am you will be able to collect your order from our lockers. See map
Please bring your order confirmation email and your passport. If you are collecting from lockers you will have been sent an email with your access code, be sure to have this on you in order to collect your order.
If you’re departing Auckland Airport, we recommend that you come to the Auckland Airport Collection Point at least 60 minutes before your flight. If you miss your pickup time or your flight details have changed please let us know as soon as possible.
When you collect your order you will have the opportunity to inspect the items and sign for them.
If you need to return an item, our Collection Point team are there to help you. If you are collecting after hours please return the item to your locker and our team will be in touch as soon as possible. You may also like to view our Returns & refunds which provides information on how this works and outlines the individual retailer's returns and refunds policies.
After Hours Collections
If your order needs to be collected after the Auckland Airport Collection Point desk is closed, your order will be placed in the lockers next to the desk. All the details you will need to collect your order will be provided in your Order Confirmation and Ready to Collect Email.