Fujifilm X-T50 Mirrorless Camera with XF 16-50mm f/2.8-4.8 Lens - Silver
X-T50 My Experience, My Color
Classic Design FUJIFILM X-T50 inheritates the X-T Series design that suggests the close resemblance of a classic film camera. The compact body weighs just 438g (0.96lb)*. Combined with the sleek design and ergonomic styling, it's a joy to use wherever your creative journey takes you. *Including battery and memory card
Rounded Body Shape FUJIFILM X-T50 incorporates a new, rounded body shape. While slightly larger than the predecessor X-T30 II model, the styling makes it feel small without compromising handling. The thumb grip extends smoothly outward compared to previous models, providing an impressive overall feel and grip on the body.
Film Simulation Dial FUJIFILM X-T50 features all-new Film Simulation dial on the top plate. Choosing the Film Simulation has never been easier. It is as simple as turning the dial. There are 20 Film Simulation modes to choose from, including the latest "REALA ACE". Enjoy our color science that we have cultivated since our establishment in 1934.
Dial Operation FUJIFILM X-T50 houses shutter speed, exposure compensation, and all-new Film Simulation dials on the top-plate. Together with the aperture ring on most XF lenses, settings can be checked and adjusted, even without turning the camera on, leaving you to concentrate on what matters most: making the perfect image.
Electronic Viewfinder FUJIFILM X-T50 features a 2.36 million dot electronic viewfinder (EVF) with a 0.62x magnification ratio. The specially designed lens elements provide a high-definition live view, and includes an adjustable diopter control to provide a truly comfortable experience.
Tilting LCD FUJIFILM X-T50 incorporates a tilting LCD, which offers enhanced versatility, particularly when working at waist level. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Cutting-Edge Image Quality FUJIFILM X-T50's fifth-generation X-Trans CMOS 5 HR sensor, X-Processor 5 imaging engine, and up to 7.0-stop in-body image stabilization (IBIS) combine to deliver the highest image quality yet for X Series in a small, light body.
X-TRANS CMOS 5HR - High Resolution 40.2MP BSI Imaging Sensor The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
X-Processor 5 - Twice the processing speed of X-Processor 4 - AI processing technology- Next generation HEIF image file format- Reduced power consumption
7.0-stop IBIS - Lightweight, High Performance A five-axis in-body image stabilization (IBIS) system provides up to 7.0 stops of compensation. Despite this, the camera body only weighs 438g including battery and memory card.
Improved Features FUJIFILM X-T50 has further enhanced its features such as autofocus and ISO sensitivity when compared to its predecessor FUJIFILM X-T30 II. Subject Detection Autofocus FUJIFILM X-T50 uses X-Processor 5's subject detection AF to accurately track a range of subjects. Built using deep-learning AI technology, it detects animals, birds, cars, motorcycles, bicycles, airplanes, trains, insects, and drones.* *Set the SUBJECT DETECTION SETTING to BIRD for insect detection, and to AIRPLANE for detecting drones.
Updated AF Algorithm FUJIFILM X-T50 incorporates an impressive autofocus prediction algorithm for reliable focusing even when recording continuously moving subjects. Autofocus enhancements are most notable in Zone AF and low-contrast situations.
ISO 125 Standard Sensitivity The X-Trans CMOS 5 HR sensor in FUJIFILM X-T50 has a more light-efficient pixel structure. A setting of ISO 125, which on the prior model, FUJIFILM X-T30 II was only an extended sensitivity option, is now available natively on the FUJIFILM X-T50.
S/N Level / Low-Light Power The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio. Astonishing image quality is in the palm of your hand.
Expanding Your Creativity Add extra options to your image-making journey by combining FUJIFILM X-T50's unique Film Simulation modes with other creative features. Use analog effects such as film grain, or boost color depth, clarity, or sharpness to elevate your images, and take full control of highlight and shadow tones to dramatically expand your creative palette. A truly bespoke photographic adventure awaits.
Film Simulation The 20 Film Simulation modes offered by FUJIFILM X-T50, including the new REALA ACE mode, harness 90 years of Fujifilm color science, digitally replicating the look of classic photographic film stocks. Reproduce the classic colors and tones Fujifilm is renowned for, or add artistic flair to your photographic journey. PROVIA/STANDARDBased on FUJICHROME PROVIA, a reversal film designed for professional use, this Film Simulation mode caters for all subject types, offering a neutral color reproduction.
REALA ACEBased on REALA ACE, this 20th Film Simulation combines faithful color reproduction with hard tonality, making it suitable for all subjects and situations.
Classic ChromeDesigned to reproduce a look similar to documentary magazines of the 20th century. Classic Chrome's low saturation and hard tonal gradation in shadows make it a perfect choice for documentary photography with a touch of realism.
CLASSIC Neg.Based on SUPERIA, a color negative film loved by generations of photographers, this Film Simulation mode provides high-contrast tonal gradation. It adds depth and definition to colors by adjusting their shades in highlights and shadows, while reducing saturation.
Velvia/VIVIDBased on FUJICHROME Velvia, an ultra-vivid reversal film designed for professionals, this Film Simulation mode provides richer and more high-contrast colors than the PROVIA/STANDARD. It is a favorite of landscape photographers.
ASTIA/SOFTBased on FUJICHROME ASTIA, a reversal film designed for fashion portraiture, this mode prioritizes soft and faithful reproduction of skin tones, while also depicting vivid blue skies and greenery.
PRO Neg. StdBased on PRO160NS, a color negative film for professionals, this Film Simulation mode has a soft tonal gradation and excellent skin tone reproduction. Ideal for portrait photography under carefully controlled lighting. The neutral tonality renders itself well to post-processing.
NOSTALGIC Neg.Designed to recreate the look of images in old photo albums, NOSTALGIC Neg. produces images with rich colors in the shadows - and a soft tonality through the midtones and highlights.
ACROSBased on ACROS, a monochrome film renowned for super-fine grain, this Film Simulation mode delivers rich shadow details and excellent sharpness, while still adding grain at high ISOs, and recreating the stunning textured feel of monochrome.
Grain EffectFrom subtle textures to the gritty look of traditional high-ISO film stocks, with FUJIFILM X-T50 you can easily add natural-looking grain to your photos. Control the strength and size for just the right amount of texture on any image.
Color Chomre EffectFor highly-saturated subjects, Color Chrome Effect adds depth, detail, and vibrancy in three strengths to red, green, or yellow tones where detail may otherwise be lost.
Color Chrome FX BlueAdds more depth and naturally enhances the vividness of the color.
ClarityThe Clarity control lets you decide whether to recreate a scene with a crisp sharpness, defining edges and boosting contrast, or with a soft feel. With 11 levels of control, it's easy to fine-tune to your personal taste and style.
Monochromatic ColorMonochromatic Color allows you to choose a key color from a matrix of Warm / Cool tones and Magenta / Green hues. You can incorporate the rich gradation into your images to create photographs with a personal twist.
Manipulating Images White BalanceFine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones. - Mode
- Automatic Scene Recognition- Custom
Custom - 1~3 Size / Area Selectable- Color Temperature Selection
- 2,500K -10,000K- Preset
- Daylight, Shade, Fluorescent Light (Daylight), Fluorescent Light (Warm White), Fluorescent Light (Cool White), Incandescent Light, Underwater
Multiple ExposureLayer up to nine images in Additive, Average, Comparative Bright or Comparative Dark modes to combine multiple perspectives or different points in time. Various settings, including Film Simulations, can be applied to each exposure to produce a unique creative expression completely in-camera.
AUTO ModeIn AUTO mode, the camera automatically recognizes and sets optimal exposure settings for any scene. It also features auto subject detection where the camera automatically detects and tracks the subject, keeping it in focus. This eliminates the need to adjust the subject detection settings manually for easy image making. The AUTO mode can also be used for video.
Video Functionality FUJIFILM X-T50 offers advanced video performance in a compact, lightweight body. Create movies up to 6.2K internally at 30p in 4:2:2 10-bit color. 4K/60p and high-speed 1080/240p are also available, maximizing video flexibility. Improved Subject TrackingTrack subjects in your videos with ease. Select AF-C mode with Wide/Tracking AF, then simply touch the subject on the rear LCD. FUJIFILM X-T50 will track the object, even in situations where multiple subjects appear in the frame.
F-Log2 supportIn addition to F-Log, FUJIFILM X-T50 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential. *When recording F-Log2, based on Fujifilm internal testing.
Connectivity Compatible with Frame.io Camera to CloudCreate, share and collaborate in an instant with FUJIFILM X-T50's native Frame.io Camera to Cloud technology. Wirelessly connect to an active internet connection, authenticate to Frame.io, and start uploading photos and videos at the moment of creation.
FUJIFILM XAppFUJIFILM X-T50 is compatible with FUJIFILM XApp, offering extended functionality and simple image transfer to your smartphone. Files can be shared between camera and smartphone quickly, while the free, downloaded app also allows the camera to be operated remotely.
- Model Name
- FUJIFILM X-T50
- Lens Mount
- FUJIFILM X mount
- Image Sensor
- 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter
- Number of effective pixels
- 40.2 millions pixels
- Sensor Cleaning System
- Ultra Sonic Vibration
- Image Processing Engine
- X-Processor 5
- Sensor Cleaning System
- Ultra Sonic Vibration
- Storage media
- SD Card (-2GB)
- SDHC Card (-32GB)
- SDXC Card (-2TB)
- UHS-I
- UHS-II
- Video Speed Class V90
- *Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility.
- File format of still image
- DCF Compliant with Design rule for Camera File system (DCF2.0)
- JPEG Exif Ver.2.32
- HEIF 4:2:2 10bit
- RAW 14bit RAW (RAF original format)
- TIFF 8bit / 16bit RGB (In-camera Raw Conversion Only)
- Notes *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
- Number of recorded pixels
- [L]
- 43: 6864 x 5152
- 32: 7728 x 5152
- 169: 7728 x 4344
- 11: 5152 x 5152
- 54: 6432×5152
- [M]
- 43: 4864 x 3648
- 32: 5472 x 3648
- 169: 5472 x 3080
- 11: 3648 x 3648
- 54: 4560×3648
- [S]
- 43: 3456 x 2592
- 32: 3888 x 2592
- 169: 3888 x 2184
- 11: 2592 x 2592
- 54: 3264×2592
- Panorama
- [L]
- vertical: 9600 x 2160
- horizontal: 9600 x 1440
- [M]
- vertical: 6400 x 2160
- horizontal: 6400 x 1440
- Still Image
- Standard Output
- AUTO1
- AUTO2
- AUTO3
- ISO125~12800 (1/3 step)
- Extended Output
- ISO64
- ISO80
- ISO100
- ISO25600
- ISO51200
- Movie
- Standard Output
- AUTO
- ISO125~12800 (1/3 step)
- Extended Output
- ISO25600
- Exposure control
- TTL 256-zone metering
- Multi
- Spot
- Average
- Center Weighted
- Exposure mode
- P (Program AE)
- A (Aperture Priority AE)
- S (Shutter Speed Priority AE)
- M (Manual Exposure)
- Exposure compensation
- Still -5.0EV~+5.0EV 1/3EV step
- Movie -2.0EV~+2.0EV 1/3EV step
- Image stabilizer
- Mechanism Image sensor shift mechanism with 5-axis compensation
- Compensation Effect 7.0 stops
- Digital Image Stabilization Yes (movie mode only)
- IS MODE BOOST Yes (movie mode only)
- Shutter type
- Focal Plane Shutter
- Mechanical Shutter
- P mode 4sec. to 1/4000sec.
- A mode 30sec. to 1/4000sec.
- S/M mode 15min. to 1/4000sec.
- Bulb up to 60min.
- Electronic Shutter
- P mode 30sec. to 1/180000sec.
- A mode 30sec. to 1/180000sec.
- S/M mode 15min. to 1/180000sec.
- Bulb 1sec. Fixed
- Electronic Front Curtain Shutter
- P mode 30sec. to 1/4000sec.
- A mode 30sec. to 1/4000sec.
- S/M mode 15min. to 1/4000sec.
- Bulb up to 60min.
- Mechanical + Electronic Shutter
- P mode 30sec. to 1/180000sec.
- A mode 30sec. to 1/180000sec.
- S/M mode 15min. to 1/180000sec.
- Bulb up to 60min.
- Notes *Mechanical shutter works until 1/4000sec.
- E-Front + Mechanical Shutter
- P mode 30sec. to 1/4000sec.
- E-Front + Mechanical + Electronic Shutter
- P mode 30sec. to 1/180000sec.
- Movie
- 6.2K 1/4000sec. to 1/24 sec.
- 4K/DCI4K 1/4000sec. to 1/4 sec.
- FHD 1/4000sec. to 1/4 sec.
- Notes *Cannot choose slower shutter speed than framerate for some settings.
- Synchronized Shutter Speed For Flash
- Mechanical shutter 1/180sec. or slower
- CH
- Electronic Shutter Approx. 20fps (1.29x Crop)
- JPEG - 168 frames
- Compressed RAW - 66 frames
- Lossless compressed RAW - 32 frames
- Uncompressed RAW - 17 frames
- Compressed RAW + JPEG - 21 frames
- Lossless compressed RAW + JPEG - 20 frames
- Uncompressed RAW + JPEG - 17 frames
- Electronic Shutter Approx. 13fps (1.29x Crop)
- JPEG - 1000+ frames
- Compressed RAW - 94 frames
- Lossless compressed RAW - 25 frames
- Uncompressed RAW - 21 frames
- Compressed RAW + JPEG - 48 frames
- Lossless compressed RAW + JPEG - 31 frames
- Uncompressed RAW + JPEG - 19 frames
- Electronic Shutter Approx. 10fps (1.29x Crop)
- JPEG - 1000+ frames
- Compressed RAW - 536 frames
- Lossless compressed RAW - 43 frames
- Uncompressed RAW - 23 frames
- Compressed RAW + JPEG - 61 frames
- Lossless compressed RAW + JPEG - 37 frames
- Uncompressed RAW + JPEG - 21 frames
- Electronic Shutter Approx. 13fps
- JPEG - 163 frames
- Compressed RAW - 46 frames
- Lossless compressed RAW - 21 frames
- Uncompressed RAW - 18 frames
- Compressed RAW + JPEG - 24 frames
- Lossless compressed RAW + JPEG - 20 frames
- Uncompressed RAW + JPEG - 19 frames
- Electronic Shutter Approx. 8.9fps
- JPEG - 1000+ frames
- Compressed RAW - 68 frames
- Lossless compressed RAW - 28 frames
- Uncompressed RAW - 21 frames
- Compressed RAW + JPEG - 36 frames
- Lossless compressed RAW + JPEG - 23 frames
- Uncompressed RAW + JPEG - 21 frames
- Electronic Shutter Approx. 8.0fps
- JPEG - 1000+ frames
- Compressed RAW - 79 frames
- Lossless compressed RAW - 22 frames
- Uncompressed RAW - 20 frames
- Compressed RAW + JPEG - 30 frames
- Lossless compressed RAW + JPEG - 21 frames
- Uncompressed RAW + JPEG - 20 frames
- CL
- Mechanical Shutter Approx. 5.0fps
- JPEG - 1000+ frames
- Compressed RAW - 1000+ frames
- Lossless compressed RAW - 56 frames
- Uncompressed RAW - 24 frames
- Compressed RAW + JPEG - 81 frames
- Lossless compressed RAW + JPEG - 27 frames
- Uncompressed RAW + JPEG - 21 frames
- Mechanical Shutter Approx. 4.0fps
- JPEG - 1000+ frames
- Compressed RAW - 1000+ frames
- Lossless compressed RAW - 1000+ frames
- Uncompressed RAW - 29 frames
- Mechanical Shutter Approx. 3.0fps
- JPEG - 1000+ frames
- Compressed RAW - 1000+ frames
- Lossless compressed RAW - 1000+ frames
- Uncompressed RAW - 60 frames
- Pre-shot
- Electronic Shutter, 1.25 X Crop Approx. 20fps (1.29x Crop)
- 20 frames
- 135 frames
- 155 frames
- Electronic Shutter, 1.25 X Crop Approx. 13fps (1.29x Crop)
- 13 frames
- 177 frames
- 190 frames
- Electronic Shutter, 1.25 X Crop Approx. 10fps (1.29x Crop)
- 10 frames
- 240 frames
- 250 frames
- Electronic Shutter, 1.25 X Crop Approx. 13fps
- 13 frames
- 177 frames
- 190 frames
- Notes
- *Recordable frames depends on recording media
- *Speed of continuous shooting depends on shooting environment and shooting frames
- AE Bracketing
- 2 frames
- 3 frames
- 5 frames
- 7 frames
- 9 frames
- Filmsimulation Bracketing
- Any 3 types of film simulation selectable
- Dynamic Range Bracketing
- 100%
- 200%
- 400%
- ISO Sensitivity Bracketing
- ±1/3EV
- ±2/3EV
- ±1EV
- White Balance Bracketing
- ±1
- ±2
- ±3
- Focus Bracketing
- AUTO
- MANUAL
- Multiple Exposure
- Yes (Max. 9 frames)
- Additive
- Average
- Bright
- Dark
- HDR Mode
- AUTO
- 2
- 4
- 8
- 800% +
- Advanced Filter
- Toy camera
- Miniature
- Pop color
- High-key
- Low-key
- Dynamic tone
- Soft focus
- Partial color (Red / Orange / Yellow / Green / Blue / Purple)
- Mode
- Single AF
- Continuous AF
- MF
- Type
- Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
- AF Frame Selection
- Single point AF - 13×9 / 25×17 (Changeable size of AF frame)
- Zone AF - 3×3 / 5×5 / 7×7 / Custom1-3 from 117 areas on 13×9 grid
- All - Yes
- Subject Detection
- ["Yes (Animal\/Bird\/Automobile\/Motorcycle&Bike\/Airplane\/Train)"]
- Shoe Mount Flash
- Sync. Mode
- 1st Curtain
- 2nd Curtain
- AUTO FP (HSS)
- Flash Mode
- TTL (TTL AUTO / STANDARD / SLOW SYNC. )
- MANUAL
- MULTI *When EF-X500 is set
- OFF
- Hot shoe
- Yes (Dedicated TTL Flash compatible)
- EVF
- 0.39 inch OLED Color Viewfinder
- Approx. 2.36 million dots
- Coverage of Viewing Area vs. Capturing Area
- Approx. 100%
- Eyepoint
- Approx. 17.5mm (from the Rear End of the Camera's Eyepiece)
- Diopter Adjustment
- -4~+2m-1
- Magnification
- 0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
- Diagonal Angle of View
- approx. 31° (Horizontal angle of view: approx. 26° )
- Built-In Eye Sensor
- LCD monitor
- 3.0 inch Tilt-Type Touch Screen Color LCD Monitor
- Aspect Ratio
- 3:2
- Dots
- Approx. 1.84 million dots
- Shooting Mode
- Shooting
- AF
- Focus Area
- OFF
- Double Tap Setting (ON/OFF)
- Touch Function Setting (ON/OFF)
- Touch Zoom (ON/OFF)
- EVF Touch Screen Area Setting
- Playback Mode
- Swipe
- Pinch-in / Pinch-out
- Double-tap
- Drag
- File Format
- MOV
- HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
- MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
- MP4
- MPEG-4 AVC/H.264, AAC
- Movie Compression
- All Intra
- 6.2K(16:9)
- File size
- 6240 x 3510
- Frame rate
- 29.97p
- 25p
- 24p
- 23.98p
- Bitrate
- 360Mbps
- 200Mbps
- 100Mbps
- 50Mbps
- DCI4K HQ(17:9)
- File size
- 4096 x 2160
- Frame rate
- 29.97p
- 25p
- 24p
- 23.98p
- Bitrate
- 360Mbps
- 200Mbps
- 100Mbps
- 50Mbps
- 4K HQ(16:9)
- File size
- 3840 x 2160
- Frame rate
- 29.97p
- 25p
- 24p
- 23.98p
- Bitrate
- 360Mbps
- 200Mbps
- 100Mbps
- 50Mbps
- DCI4K(17:9)
- File size
- 4096 x 2160
- Frame rate
- 59.94p
- 50p
- 29.97p
- 25p
- 24p
- 23.98p
- Bitrate
- 360Mbps
- 200Mbps
- 100Mbps
- 50Mbps
- 4K(16:9)
- File size
- 3840 x 2160
- Frame rate
- 59.94p
- 50p
- 29.97p
- 25p
- 24p
- 23.98p
- Bitrate
- 360Mbps
- 200Mbps
- 100Mbps
- 50Mbps
- Full HD(17:9)
- File size
- 2048 x 1080
- Frame rate
- 59.94p
- 50p
- 29.97p
- 25p
- 24p
- 23.98p
- Bitrate
- 360Mbps
- 200Mbps
- 100Mbps
- 50Mbps
- Full HD(16:9)
- File size
- 1920 x 1080
- Frame rate
- 59.94p
- 50p
- 29.97p
- 25p
- 24p
- 23.98p
- Bitrate
- 360Mbps
- 200Mbps
- 100Mbps
- 50Mbps
- Full HD(17:9) High Speed Rec.
- File size
- 2048 x 1080
- Frame rate
- 240p
- 200p
- 120p
- 100p
- Bitrate
- 360Mbps (recording)
- 200Mbps (recording)
- Full HD(16:9) High Speed Rec.
- File size
- 1920 x 1080
- Frame rate
- 240p
- 200p
- 120p
- 100p
- Bitrate
- 360Mbps (recording)
- 200Mbps (recording)
- Film simulation mode
- 20 modes
- PROVIA/Standard
- Velvia/Vivid
- ASTIA/Soft
- Classic Chrome
- REALA ACE
- PRO Neg.Hi
- PRO Neg.Std
- Classic Neg.
- Nostalgic Neg.
- ETERNA/Cinema
- ETERNA BLEACH BYPASS
- ACROS
- ACROS + Ye Filter
- ACROS + R Filter
- ACROS + G Filter
- Black & White
- Black & White + Ye Filter
- Black & White + R Filter
- Black & White + G Filter
- Sepia
- Monochromatic Color
- Yes
- Grain Effect
- Roughness STRONG, WEAK, OFF
- Size LARGE, SMALL
- Color Chrome Effect
- STRONG, WEAK, OFF
- Color chrome Blue
- STRONG, WEAK, OFF
- Smooth Skin Effect
- STRONG, WEAK, OFF
- Still
- Still AUTO / 100% / 200% / 400%
- ISO restriction DR100%: No limit?DR200%: ISO250 or more?DR400%: ISO500 or more
- Movie
- Movie 100% / 200% / 400%
- ISO restriction DR100%: No limit?DR200%: ISO250 or more?DR400%: ISO500 or more
- Auto
- White Priority
- Auto
- Ambience Priority
- Custom
- Custom1 - 3
- Color Temperature Selection
- 2500K~10000K
- Preset
- Daylight
- Shade
- Fluorescent Light-1
- Fluorescent Light-2
- Fluorescent Light-3
- Incandescent Light
- Underwater
- Clarity setting
- ±5 steps
- Still
- 10sec.
- 2sec.
- Movie
- 10sec.
- 5sec.
- 3sec.
- Interval timer shooting
- Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)
- Standard
- IEEE802.11a/b/g/n/ac (standard wireless protocol)
- Encryption
- WPA/WPA2 mixed mode, WPA3
- Access Mode
- Infrastructure
- Standard
- Bluetooth Ver. 4.2 (Bluetooth low energy)
- Operating Frequency (Center Frequency)
- 2402?2480MHz
- Digital Interface
- USB Type-C (USB3.2 Gen2x1)
- HDMI Output
- HDMI Micro connector (Type D)
- Others
- ø3.5mm, stereo mini connector (Microphone)
- Hot shoe
- Power supply
- NP-W126S Li-ion battery (included)
- Battery Life For Still Images
- Economy Mode Approx. 390 frames
- Normal Mode Approx. 305 frames
- Notes *When XF35mmF1.4 R is set
- Actual Battery Life Of Movie Capture
- 6.2K Approx. 45min. (29.97p)
- 4K Approx. 45min. (59.94p)
- Full HD Approx. 45min. (59.94p)?Approx. 50min. (120P)
- Notes *Face detection is set to OFF
- Continuance Battery Life Of Movie Capture
- 6.2K Approx. 70min. (29.97p)
- 4K Approx. 70min. (59.94p)
- Full HD Approx. 80min. (59.94p)
- Notes
- *Face detection is set to OFF
- *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
- Width
- 123.8mm
- Height
- 84mm
- Depth
- 48.8mm
- (Minimum Depth)
- (34.2mm)
- Including Battery And Memory Card
- Approx. 438g
- Excluding Battery And Memory Card
- Approx. 389g
- Operating Temperature
- 0?~+40?
- Operating Humidity
- 10%~80% (no condensation)
- Accessories included
- Li-ion battery NP-W126S
- USB cable
- Headphone adapter
- Shoulder strap
- Body cap
As an international traveller you are entitled to bring a certain amount/value of goods that are free of Customs duty and exempt Goods and Services tax (GST) into New Zealand. This is called your duty free allowance and personal goods concession. It is important to review these for any purchases you make on The Mall.
Your duty free allowance entitles you to bring into New Zealand the following quantities of alcohol products free of customs duty and GST provided you are over 17 years of age. You do need to be 18 years or over to purchase.
- Up to six bottles (4.5 litres) of wine, champagne, port or sherry or
- Up to twelve cans (4.5 litres) of beer
- And three bottles (or other containers) each containing not more than 1125ml of spirits, liqueur, or other spirituous beverages
Goods other than alcohol and tobacco, whether purchased overseas or purchased duty free in New Zealand, that have a combined total value not exceeding NZ$700 may also be brought as part of your personal goods concession.
When travelling overseas there are legal limits on the amount of duty free alcohol and other goods you can take with you. These amounts will vary depending on the country you are flying into. We always recommend you check the latest limits and exemptions.
Your order can be picked up at an Auckland Airport Collection Point. There is one in departures and one at arrivals in the international terminal. Alternatively, if you are arriving between 11pm and 6am you will be able to collect your order from our lockers. See map
Please bring your order confirmation email and your passport. If you are collecting from lockers you will have been sent an email with your access code, be sure to have this on you in order to collect your order.
If you’re departing Auckland Airport, we recommend that you come to the Auckland Airport Collection Point at least 60 minutes before your flight. If you miss your pickup time or your flight details have changed please let us know as soon as possible.
When you collect your order you will have the opportunity to inspect the items and sign for them.
If you need to return an item, our Collection Point team are there to help you. If you are collecting after hours please return the item to your locker and our team will be in touch as soon as possible. You may also like to view our Returns & refunds which provides information on how this works and outlines the individual retailer's returns and refunds policies.
After Hours Collections
If your order needs to be collected after the Auckland Airport Collection Point desk is closed, your order will be placed in the lockers next to the desk. All the details you will need to collect your order will be provided in your Order Confirmation and Ready to Collect Email.