The Refined Classic A modern classic can't simply mimic what has gone before. Nor can it ignore what has preceded it.It should respect its lineage, by refining a concept without losing its essence. FUJIFILM X-E5 embodies what it means to be a modern classic, combining a sophisticated, elegant design with analog controls that inspire image making Design Crafted solely from machined aluminum, the top-plate retains the essence of a classic camera with its angular design.This stunning look comes together with tactile handling to create a camera that's a joy to use. Machined Aluminum Top-Plate The top-plate is carved from a single piece of metal, not only enhancing the look and feel of the FUJIFILM X-E5, but also improving the dial operation. Additionally, an anodized finish gives the body a refined, high-quality aesthetic. New Film Simulation Dial The newly designed Film Simulation dial features a precision-cut indicator window that minimizes the gap between dial and body for an exact finish. Additionally, you can individually set Film Simulation and image quality settings to the FS1-FS3 positions, allowing you to save your own FS recipes. Mastering the Details Refinement is central to every aspect of FUJIFILM X-E5's design. The viewfinder and diopter adjustment control, for example, fit flush with the body, while the Bluetooth button on the base plate evokes the look of the rewind button on classic film camera. The Joy of Photography FUJIFILM X-E5 doesn't just look good. It also offers a stunning viewfinder and beautiful analog controls. This is a camera designed to bring joy to your image making. New Classic Display Mode The new Classic Display mode* provides a clean viewfinder image with key information at the bottom of the frame. Combined with a body style that allows you to operate the dials and the lever with one hand, you can immerse yourself in image making with the camera to your eye. Surround View Mode FUJIFILM X-E5's Front Control Lever accesses the Surround View function, which displays a semi-transparent or outlined area outside the image. This provides an OVF-like experience, enabling you to see outside the EVF frame so you can easily monitor what's about to come into frame. Evolved Mobility Despite being similar in size to its predecessor, X-E5 is the first in the camera series that features a powerful five-axis IBIS mechanism offering up to 7.0 stops in the center and 6.0 stops at the periphery*. This makes it an effortless, "daily carry," that remains adaptable to the most challenging scenarios. See More, Tell More A sophisticated design. Intuitive controls that keep you immersed in image making.A compact size that fits perfectly in your hand.With FUJIFILM X-E5, you'll uncover more stories.Tell these stories with the remarkable image quality of our fifth-generation technology. ISO 125 Standard Sensitivity The X-Trans CMOS 5 HR sensor in FUJIFILM X-E5 features an improved light-efficient pixel structure. This delivers a lower native ISO of 125, which was only available as an extended option on the previous model. S/N Level &; Low-Light Power The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio. Astonishing image quality is in the palm of your hand. Latest AF Algorithm FUJIFILM X-E5 incorporates an impressive autofocus prediction algorithm for reliable focusing even when recording continuously moving subjects. Autofocus enhancements are most notable in Zone AF and low-contrast situations. Subject Detection Autofocus FUJIFILM X-E5 uses X-Processor 5's subject detection AF to accurately track a range of subjects. Built using deep-learning AI technology, it detects animals, birds, cars, motorcycles, bicycles, airplanes, trains, insects, and drones.* Video Functionality FUJIFILM X-E5's compact and lightweight body supports in-camera recording to an SD card at 6.2K/30p 4:2:2 10-bit, as well as high-quality 4K/60p and 1080/240p.
- Model Name
- FUJIFILM X-E5
- Lens Mount
- FUJIFILM X mount
- Image Sensor
- 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter
- Number Of Effective Pixels
- 40.2 millions pixels
- Sensor Cleaning System
- Ultra Sonic Vibration
- Image Processing Engine
- X-Processor 5
- Storage Media
- SD Card (-2GB)
- SDHC Card (-32GB)
- SDXC Card (-2TB)
- UHS-I
- UHS-II
- Video Speed Class V90
- DCF
- Compliant with Design rule for Camera File system (DCF2.0)
- JPEG
- Exif Ver.2.32
- HEIF
- 4:2:2 10bit
- RAW
- 14bit RAW (RAF original format)
- TIFF
- 8bit / 16bit RGB (In-camera Raw Conversion Only)
- Notes
- *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
- [L]
- 4:3: 6864 x 5152
- 3:2: 7728 x 5152
- 16:9: 7728 x 4344
- 5:4: 6432 x 5152
- 1:1: 5152 x 5152
- [M]
- 4:3: 4864 x 3648
- 3:2: 5472 x 3648
- 16:9: 5472 x 3080
- 5:4: 4560 x 3648
- 1:1: 3648 x 3648
- [S]
- 4:3: 3456 x 2592
- 3:2: 3888 x 2592
- 16:9: 3888 x 2184
- 5:4: 3264 x 2592
- 1:1: 2592 x 2592
- [L]
- vertical: 2160 x 9600
- horizontal: 9600 x 1440
- [M]
- vertical: 2160 x 6400
- horizontal: 6400 x 1440
- Digital Tele-Converter
- 2.0x
- 1.4x
- OFF
- Still Image
- Standard Output
- AUTO1
- AUTO2
- AUTO3
- ISO125~12800 (1/3 step)
- Extended Output
- ISO64
- ISO80
- ISO100
- ISO25600
- ISO51200
- Movie
- Standard Output
- AUTO
- ISO125~12800 (1/3 step)
- Extended Output
- ISO25600
- Exposure Control
- TTL 256-zone metering
- Multi
- Spot
- Average
- Center Weighted
- Exposure Mode
- P (Program AE)
- A (Aperture Priority AE)
- S (Shutter Speed Priority AE)
- M (Manual Exposure)
- Still
- -5.0EV~+5.0EV 1/3EV step
- Movie
- -2.0EV~+2.0EV 1/3EV step
- Mechanism
- Image sensor shift mechanism with 5-axis compensation
- Compensation Effect
- Center 7.0 stops and Periphery 6.0 stops
- *based on CIPA2024 standard
- *Pitch/Yaw/Roll compensation
- *With XF35mmF1.4 R lens mounted
- Digital Image Stabilization
- Yes (movie mode only)
- IS MODE BOOST
- Yes (movie mode only)
- Shutter Type
- Focal Plane Shutter
- Mechanical Shutter
- P Mode
- 30sec. to 1/4000sec.
- A Mode
- 30sec. to 1/4000sec.
- S/M Mode
- 15min. to 1/4000sec.
- Bulb
- up to 60min.
- Electronic Shutter
- P Mode
- 30sec. to 1/180000sec.
- A Mode
- 30sec. to 1/180000sec.
- S/M Mode
- 15min. to 1/180000sec.
- Bulb
- 1sec. Fixed
- Electronic Front Curtain Shutter
- P Mode
- 30sec. to 1/4000sec.
- A Mode
- 30sec. to 1/4000sec.
- S/M Mode
- 15min. to 1/4000sec.
- Bulb
- up to 60min.
- Mechanical + Electronic Shutter
- P Mode
- 30sec. to 1/180000sec.
- A Mode
- 30sec. to 1/180000sec.
- S/M Mode
- 15min. to 1/180000sec.
- Bulb
- up to 60min.
- Notes
- *Mechanical shutter works until 1/4000sec.
- E-front + Mechanical Shutter
- P Mode
- 30sec. to 1/4000sec.
- A Mode
- 30sec. to 1/4000sec.
- S/M Mode
- 15min. to 1/4000sec.
- Bulb
- up to 60min.
- Notes
- *Electronic front curtain shutter works until 1/2000sec.
- E-front + Mechanical + Electronic Shutter
- P Mode
- 30sec. to 1/180000sec.
- A Mode
- 30sec. to 1/180000sec.
- S/M Mode
- 15min. to 1/180000sec.
- Bulb
- up to 60min.
- Notes
- *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/4000sec.
- *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
- Movie
- 6.2K
- 1/4000sec. to 1/24 sec.
- 4K/DCI4K
- 1/4000sec. to 1/24 sec.
- FHD
- 1/4000sec. to 1/24 sec.
- Notes
- *Cannot choose slower shutter speed than framerate for some settings.
- Synchronized Shutter Speed For Flash
- Mechanical Shutter
- 1/180sec. or slower
- Continuous Shooting CH Electronic Shutter Approx. 20fps (1.29x crop)
- JPEG
- 168 frames
- Compressed RAW
- 66 frames
- Lossless Compressed RAW
- 32 frames
- Uncompressed RAW
- 17 frames
- Compressed RAW + JPEG
- 21 frames
- Lossless Compressed RAW + JPEG
- 20 frames
- Uncompressed RAW + JPEG
- 17 frames
- Electronic Shutter Approx. 13fps (1.29x crop)
- JPEG
- 1000+ frames
- Compressed RAW
- 94 frames
- Lossless Compressed RAW
- 25 frames
- Uncompressed RAW
- 21 frames
- Compressed RAW + JPEG
- 48 frames
- Lossless Compressed RAW + JPEG
- 31 frames
- Uncompressed RAW + JPEG
- 19 frames
- Electronic Shutter Approx. 10fps (1.29x crop)
- JPEG
- 1000+ frames
- Compressed RAW
- 536 frames
- Lossless Compressed RAW
- 43 frames
- Uncompressed RAW
- 23 frames
- Compressed RAW + JPEG
- 61 frames
- Lossless Compressed RAW + JPEG
- 37 frames
- Uncompressed RAW + JPEG
- 21 frames
- Electronic Shutter Approx. 13fps
- JPEG
- 163 frames
- Compressed RAW
- 46 frames
- Lossless Compressed RAW
- 21 frames
- Uncompressed RAW
- 18 frames
- Compressed RAW + JPEG
- 24 frames
- Lossless Compressed RAW + JPEG
- 20 frames
- Uncompressed RAW + JPEG
- 19 frames
- Electronic Shutter Approx. 8.9fps
- JPEG
- 1000+ frames
- Compressed RAW
- 68 frames
- Lossless Compressed RAW
- 28 frames
- Uncompressed RAW
- 21 frames
- Compressed RAW + JPEG
- 36 frames
- Lossless Compressed RAW + JPEG
- 23 frames
- Uncompressed RAW + JPEG
- 21 frames
- Mechanical Shutter Approx. 8.0fps
- JPEG
- 1000+ frames
- Compressed RAW
- 79 frames
- Lossless Compressed RAW
- 22 frames
- Uncompressed RAW
- 20 frames
- Compressed RAW + JPEG
- 30 frames
- Lossless Compressed RAW + JPEG
- 21 frames
- Uncompressed RAW + JPEG
- 20 frames
- CL Mechanical Shutter Approx. 5.0fps
- JPEG
- 1000+ frames
- Compressed RAW
- 1000+ frames
- Lossless Compressed RAW
- 56 frames
- Uncompressed RAW
- 24 frames
- Compressed RAW + JPEG
- 81 frames
- Lossless Compressed RAW + JPEG
- 27 frames
- Uncompressed RAW + JPEG
- 21 frames
- Mechanical Shutter Approx. 4.0fps
- JPEG
- 1000+ frames
- Compressed RAW
- 1000+ frames
- Lossless Compressed RAW
- 1000+ frames
- Uncompressed RAW
- 29 frames
- Compressed RAW + JPEG
- 1000+ frames
- Lossless Compressed RAW + JPEG
- 34 frames
- Uncompressed RAW + JPEG
- 26 frames
- Mechanical Shutter Approx. 3.0fps
- JPEG
- 1000+ frames
- Compressed RAW
- 1000+ frames
- Lossless Compressed RAW
- 1000+ frames
- Uncompressed RAW
- 60 frames
- Compressed RAW + JPEG
- 1000+ frames
- Lossless Compressed RAW + JPEG
- 1000+ frames
- Uncompressed RAW + JPEG
- 34 frames
- AE Bracketing
- 2 frames
- 3 frames
- 5 frames
- 7 frames
- 9 frames
- *by 1/3EV step, up to ±3EV steps
- Filmsimulation Bracketing
- Any 3 types of film simulation selectable
- Dynamic Range Bracketing
- 100%
- 200%
- 400%
- ISO Sensitivity Bracketing
- ±1/3EV
- ±2/3EV
- ±1EV
- White Balance Bracketing
- ±1
- ±2
- ±3
- Focus Bracketing
- AUTO
- MANUAL
- Multiple Exposure
- Yes (Max. 9 frames)
- Additive
- Average
- Bright
- Dark
- HDR Mode
- AUTO
- 2
- 4
- 8
- 800% +
- Advanced Filter
- Toy camera
- Miniature
- Pop color
- High-key
- Low-key
- Dynamic tone
- Soft focus
- Partial color (Red / Orange / Yellow / Green / Blue / Purple)
- Mode
- Single AF
- Continuous AF
- MF
- Type
- Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
- Low-light Performance
- Contrast
- -4.0EV
- XF50mmF1.0 attached
- Phase Detection
- -7.0EV
- XF50mmF1.0 attached
- AF Frame Selection
- Single Point AF
- 13×9 / 25×17 (Changeable size of AF frame)
- Zone AF
- 3×3 / 5×5 / 7×7 / Custom1-3 from 117 areas on 13×9 grid
- Wide/Tracking AF
- Yes (AF-S: Wide / AF-C: Tracking)
- All
- Yes
- Face/eye Detection
- Yes
- Subject Detection
- Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)
- EF-X8
- Guide Number
- approx. 11 (ISO200·m) / approx. 8 (ISO100·m)
- Sync. Mode
- 1st Curtain
- 2nd Curtain
- Flash Mode
- TTL (TTL AUTO / STANDARD / SLOW SYNC. )
- MANUAL
- COMMANDER
- OFF
- Shoe Mount Flash
- Sync. Mode
- 1st Curtain
- 2nd Curtain
- AUTO FP (HSS)
- Flash Mode
- TTL (TTL AUTO / STANDARD / SLOW SYNC. )
- MANUAL
- MULTI *When EF-X500 is set
- OFF
- Hot Shoe
- Yes (Dedicated TTL Flash compatible)
- EVF
- EVF
- 0.39 inch OLED Color Viewfinder
- Approx. 2.36 million dots
- Coverage Of Viewing Area Vs. Capturing Area
- Approx. 100%
- Eyepoint
- Approx. 17.5mm (from the Rear End of the Camera's Eyepiece)
- Diopter Adjustment
- -4~+2m-1
- Magnification
- 0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
- Diagonal Angle Of View
- approx. 31° (Horizontal angle of view: approx. 26° )
- Built-In Eye Sensor
- LCD Monitor
- 3.0 inch Tilt-Type Touch Screen Color LCD Monitor
- Aspect Ratio
- 3:2
- Dots
- Approx. 1.04 million dots
- Shooting Mode
- Shooting
- AF
- Focus Area
- OFF
- Double Tap Setting (ON/OFF)
- Touch Function Setting (ON/OFF)
- Touch Zoom (ON/OFF)
- EVF Touch Screen Area Setting
- Playback Mode
- Swipe
- Pinch-in / Pinch-out
- Double-tap
- Drag
- File Format
- MOV
- HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
- MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
- MP4
- MPEG-4 AVC/H.264, AAC
- Movie Compression
- Long GOP
- 6.2K(16:9)
- File Size
- 6240 x 3510
- Frame Rate
- 29.97p
- 25p
- 24p
- 23.98p
- Bitrate
- 200Mbps
- 100Mbps
- 50Mbps
- 25Mbps
- 8Mbps
- DCI4K HQ(17:9)
- File Size
- 4096 x 2160
- Frame Rate
- 29.97p
- 25p
- 24p
- 23.98p
- Bitrate
- 200Mbps
- 100Mbps
- 50Mbps
- 25Mbps
- 8Mbps
- 4K HQ(16:9)
- File Size
- 3840 x 2160
- Frame Rate
- 29.97p
- 25p
- 24p
- 23.98p
- Bitrate
- 200Mbps
- 100Mbps
- 50Mbps
- 25Mbps
- 8Mbps
- DCI4K(17:9)
- File Size
- 4096 x 2160
- Frame Rate
- 59.94p
- 50p
- 29.97p
- 25p
- 24p
- 23.98p
- Bitrate
- 200Mbps
- 100Mbps
- 50Mbps
- 25Mbps
- 8Mbps
- 4K(16:9)
- File Size
- 3840 x 2160
- Frame Rate
- 59.94p
- 50p
- 29.97p
- 25p
- 24p
- 23.98p
- Bitrate
- 200Mbps
- 100Mbps
- 50Mbps
- 25Mbps
- 8Mbps
- Full HD(17:9)
- File Size
- 2048 x 1080
- Frame Rate
- 59.94p
- 50p
- 29.97p
- 25p
- 24p
- 23.98p
- Bitrate
- 200Mbps
- 100Mbps
- 50Mbps
- 25Mbps
- 8Mbps
- Full HD(16:9)
- File Size
- 1920 x 1080
- Frame Rate
- 59.94p
- 50p
- 29.97p
- 25p
- 24p
- 23.98p
- Bitrate
- 200Mbps
- 100Mbps
- 50Mbps
- 25Mbps
- 8Mbps
- Full HD(17:9) High Speed Rec.
- File Size
- 2048 x 1080
- Frame Rate
- 240p
- 200p
- 120p
- 100p
- Bitrate
- 200Mbps (recording)
- Full HD(16:9) High Speed Rec.
- File Size
- 1920 x 1080
- Frame Rate
- 240p
- 200p
- 120p
- 100p
- Bitrate
- 200Mbps (recording)
- Notes
- *For recording movies, use a SD memory card with UHS Speed Class 3 or higher.
- *Selectable bitrate will be changed depends on the setting.
- *Recording time can become short depending on the temperature and/or shooting conditions
- Film Simulation Mode
- 20 modes
- PROVIA/Standard
- Velvia/Vivid
- ASTIA/Soft
- Classic Chrome
- REALA ACE
- PRO Neg.Hi
- PRO Neg.Std
- Classic Neg.
- Nostalgic Neg.
- ETERNA/Cinema
- ETERNA BLEACH BYPASS
- ACROS
- ACROS + Ye Filter
- ACROS + R Filter
- ACROS + G Filter
- Black & White
- Black & White + Ye Filter
- Black & White + R Filter
- Black & White + G Filter
- Sepia
- Monochromatic Color
- Yes
- Grain Effect
- Roughness
- STRONG, WEAK, OFF
- Size
- LARGE, SMALL
- Color Chrome Effect
- STRONG, WEAK, OFF
- Color Chrome Blue
- STRONG, WEAK, OFF
- Smooth Skin Effect
- STRONG, WEAK, OFF
- Still
- Still
- AUTO / 100% / 200% / 400%
- ISO Restriction
- DR100%: No limit?DR200%: ISO250 or more?DR400%: ISO500 or more
- Movie
- Movie
- 100% / 200% / 400%
- ISO Restriction
- DR100%: No limit?DR200%: ISO250 or more?DR400%: ISO500 or more
- Auto
- White Priority
- Auto
- Ambience Priority
- Custom
- Custom1 - 3
- Color Temperature Selection
- 2500K~10000K
- Preset
- Daylight
- Shade
- Fluorescent Light-1
- Fluorescent Light-2
- Fluorescent Light-3
- Incandescent Light
- Underwater
- Clarity Setting
- ±5 steps
- Still
- 10sec.
- 2sec.
- Movie
- 10sec.
- 5sec.
- 3sec.
- Interval Timer Shooting
- Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)
- Standard
- IEEE802.11a/b/g/n/ac (standard wireless protocol)
- Encryption
- WPA2, WPA3
- Access Mode
- Infrastructure
- Standard
- Bluetooth Ver. 4.2 (Bluetooth low energy)
- Operating Frequency (Center Frequency)
- 2402?2480MHz
- Digital Interface
- USB Type-C USB 10Gbps
- HDMI Output
- HDMI Micro connector (Type D)
- Others
- ø3.5mm, stereo mini connector (Microphone & Remote Release)
- Hot shoe
- Power Supply
- NP-W126S Li-ion battery (included)
- Battery Life For Still Images
- Economy Mode
- Approx. 400 frames
- Normal Mode
- Approx. 310 frames
- Notes
- *When XF35mmF1.4 R is set
- Actual Battery Life Of Movie Capture
- 6.2K
- Approx. 45min. (29.97p)
- 4K
- Approx. 45min. (59.94p)
- Full HD
- Approx. 45min. (59.94p), Approx. 50min. (120P)
- Notes
- *Face detection is set to OFF
- Continuance Battery Life Of Movie Capture
- 6.2K
- Approx. 70min. (29.97p)
- 4K
- Approx. 70min. (59.94p)
- Full HD
- Approx. 80min. (59.94p)
- Notes
- *Face detection is set to OFF
- Notes
- *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
- Width
- 124.9mm
- Height
- 72.9mm
- Depth
- 39.1mm
- (Minimum Depth)
- (33.0mm)
- Including Battery And Memory Card
- Approx. 445g
- Excluding Battery And Memory Card
- Approx. 396g
- Operating Temperature
- 0?~+40?
- Operating Humidity
- 10%~80% (no condensation)
- Starting up period
- Approx. 0.5sec.
- Accessories Included
- Li-ion battery NP-W126S
- Headphone adapter
- Shoulder strap
- Clip attaching tool
- Body cap
As an international traveller you are entitled to bring a certain amount/value of goods that are free of Customs duty and exempt Goods and Services tax (GST) into New Zealand. This is called your duty free allowance and personal goods concession. It is important to review these for any purchases you make on The Mall.
Your duty free allowance entitles you to bring into New Zealand the following quantities of alcohol products free of customs duty and GST provided you are over 17 years of age. You do need to be 18 years or over to purchase.
- Up to six bottles (4.5 litres) of wine, champagne, port or sherry or
- Up to twelve cans (4.5 litres) of beer
- And three bottles (or other containers) each containing not more than 1125ml of spirits, liqueur, or other spirituous beverages
Goods other than alcohol and tobacco, whether purchased overseas or purchased duty free in New Zealand, that have a combined total value not exceeding NZ$700 may also be brought as part of your personal goods concession.
When travelling overseas there are legal limits on the amount of duty free alcohol and other goods you can take with you. These amounts will vary depending on the country you are flying into. We always recommend you check the latest limits and exemptions.
Your order can be picked up at an Auckland Airport Collection Point. There is one in departures and one at arrivals in the international terminal. Alternatively, if you are arriving between 11pm and 6am you will be able to collect your order from our lockers. See map
Please bring your order confirmation email and your passport. If you are collecting from lockers you will have been sent an email with your access code, be sure to have this on you in order to collect your order.
If you’re departing Auckland Airport, we recommend that you come to the Auckland Airport Collection Point at least 60 minutes before your flight. If you miss your pickup time or your flight details have changed please let us know as soon as possible.
When you collect your order you will have the opportunity to inspect the items and sign for them.
If you need to return an item, our Collection Point team are there to help you. If you are collecting after hours please return the item to your locker and our team will be in touch as soon as possible. You may also like to view our Returns & refunds which provides information on how this works and outlines the individual retailer's returns and refunds policies.
After Hours Collections
If your order needs to be collected after the Auckland Airport Collection Point desk is closed, your order will be placed in the lockers next to the desk. All the details you will need to collect your order will be provided in your Order Confirmation and Ready to Collect Email.