Description
Sony Alpha a7C II Camera (Body Only) - Black - 33MP Mirrorless Digital
Big vision wherever you go
Full-frame CMOS image sensor with 33.01 effective megapixels
Delivering outstanding performance and excellent image quality for both stills and movies, the a7C II's new 33.0 megapixel1 Exmor R™ CMOS image sensor provides high-speed readout, high sensitivity from ISO 100 to ISO 512002, low noise, and highly accurate color reproduction
Advanced BIONZ XR™ engine
The advanced BIONZ XR processing engine delivers up to eight times3 more processing power than its predecessor. It minimizes processing latency while boosting movie and still image processing power, achieving natural gradations, realistic color, low noise, superior image quality and fast menu response.
Consistently accurate exposure and color
Employing the latest processing engine combined with an advanced AE algorithm, the a7C II can detect the skin area of faces and adjust exposure accordingly for both stills and movies. It achieves consistent exposure control even in challenging shooting conditions when the subject is backlit, in shadows or direct sunlight, or not directly facing the camera.
Realize your vision with Creative Look
Set the visual mood with Creative Look, which offers 10 customizable presets so you can capture the world the way you want. Either use the presets as they are or adjust eight parameters, including contrast, saturation, and shadows4, to create shareable stills and movies in-camera without the need for post-production editing.
Selectable RAW image sizes and quality
Lossless RAW image compression provides efficient compression for smaller file sizes with no loss in image quality, enabling the camera to shoot up to 27 frames in continuous bursts. There are three lossless-compression image sizes (S/M/L) to suit any application, and a Light image quality selection that generates less data is provided for JPEG and HEIF images.
Advanced optical 5-axis image stabilization
Enjoy even more stable handheld shooting for stills, thanks to the a7C II's high-precision image stabilization unit, advanced gyro sensors, and optimized image stabilization algorithms that effectively compensate for up to 7.0-steps5 of camera shake. Compatible lenses with built-in image stabilization6 combine with improved synchronization between the body and lens to make framing easier even at telephoto focal lengths that can otherwise cause a large amount of blur.
More than 70 E-mount lenses offer boundless creativity
The a7C II is compatible with Sony's extensive lineup of optically advanced E-mount lenses, including the G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series with excellent image quality and smooth bokeh. Compact and lightweight, these lenses offer a wide range of photographic and videographic applications.
High performance movie making
The technology to bring your creative vision to life
Enjoy high-quality movie recording capabilities no matter when or where you're shooting. The a7C II offers 4K 60p/50p movie capture7,8, S-Cinetone™ for a cinematic look straight out of the camera, and Log shooting for flexible post processing, all within a remarkably compact, lightweight body that's compatible with gimbal or drone-mounted shooting.
Outstanding 4K movie recording up to 60p/50p
The a7C II offers 4K 60p/50p movie capture7,8 with full pixel readout and no pixel binning, taking advantage of the latest BIONZ XR processing engine and its wide dynamic range to produce exceptionally smooth images of fast-moving subjects. When recording 4K movies at 30p, full-frame 7K oversampling delivers 4K with enhanced clarity and detail.
S-Cinetone™ to easily create a cinematic look
Utilizing the same color science from Sony's highly regarded Cinema Line, S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin tones, plus soft colors and gorgeous highlights.
Advanced movie recording for simpler post-production
In-camera 10-bit 4:2:2 recording is available when using Long GOP or All-Intra compression9, making it possible to color grade for fuller, more natural gradations while generally providing greater editing freedom.
Log recording for powerful creative possibilities
The a7C II boasts an S-Log3 gamma curve that emphasizes gradation characteristics from shadows to mid-grey (18% grey), achieving 14+ stops of latitude10. S-Gamut3 and S-Gamut3.Cine color gamut settings are also provided. You can apply a custom LUT (Look Up Table) with a Log gamma curve to preview how the footage will look in post-production, or to even record footage conveniently with a PP LUT already applied.
Active Mode image stabilization supports handheld movie shooting
Active Mode provides enhanced image stabilization for handheld shooting. A precision image stabilization unit, advanced gyro sensors, and an optimized image stabilization algorithm work together for exceedingly smooth, stable movie footage. In addition to this in-body stabilization, compatible lenses with their own built-in image stabilization12 coordinate with the camera body for highly effective control, enabling handheld telephoto shots with greater clarity.
Stay focused with Real-time Tracking
Select a subject and let Real-time Tracking do the work for you - the camera automatically detects and tracks the subject, keeping the focus with a high level of accuracy.
Breathing compensation for consistent angle of view
With the breathing compensation function turned on, the a7C II employs Sony's original Clear Image Zoom technology to suppress focus breathing, allowing you to shoot movies with more stable images. Breathing metadata can also be used with the advanced breathing compensation capabilities of the latest Catalyst Browse/Prepare Plugin software during post-production.
Metadata facilitates editing workflow
Metadata embedded in recorded footage can be used by Sony's Catalyst Browse/Prepare/Prepare Plugin software, significantly speeding up post-production. Shot marks can be easily added to clips during or after recording to mark favorite scenes, allowing you to quickly locate them during playback in the camera or editing with compatible software.
Smarter, faster AF
AI processing unit for advanced subject recognition
The a7C II is equipped with an AI processing unit specifically dedicated to processing significant amounts of data, enabling more accurate recognition of subjects and recognition of a wider range of subject types.
Human pose estimation for accurate subject recognition
With its innovative AI processing unit, the a7C II can accurately recognize human movement, achieving significant improvement in human eye recognition. Its human pose estimation technology uses a skeleton-based model, enabling it to recognize not just eyes, but also body and head positions with high precision, so it can even lock onto and track a subject facing away from the camera or with their face partially obscured.
Reliable recognition of a wider range of subjects
The a7C II features a powerful AI processing unit, capable of human, animal, bird, insect, car/train and airplane14 recognition. Animal recognition now recognizes the eyes of some grazing and small animals, in addition to the eyes and heads of dogs, cats and similarly featured animals. It can even recognize these animals when their eyes are obscured from view. The camera also comes with bird recognition, enabling it to pinpoint the eyes of a variety of bird types as well as recognizing birds' heads and bodies.
Tenacious Real-time Tracking
The a7C II boasts greatly improved AI-based subject recognition, offering higher tracking reliability in a wider range of shooting situations. Specify a subject and half-press the shutter button to get the camera to start tracking, leaving you free to concentrate on framing and composition.
AI-based Auto Framing for movies
Using AI-based subject recognition technology, the Auto Framing feature automatically crops for optimum framing when shooting movies. Even when the camera is mounted on a tripod, the framing is continually adjusted so that the recorded footage looks like the subject was being followed by a camera operator. Accurate tracking is possible even when the camera is being operated remotely via the Creators' App17 on a smartphone.
Exposure control
METERING SENSITIVITY
EV-3 to EV20 (ISO100 equivalen t with F2.0 lens attached)
Metering Type
1200-zone evaluative metering
Exposure Compensation
+/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)
Anti-Flicker Shoot.
Yes
ISO Sensitivity
Still images: ISO 100 - 51200 (expandable to ISO 50 - 204800), AUTO (ISO 100 - 12800, selectable lower limit and upper limit), Movies: ISO 100 -51200 equivalent (expandable to ISO 100 - 102400), AUTO (ISO 100 - 12800, selectable lower limit and upper limit)
Flash
Flash compensation
+/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)
Control
Pre-flash TTL
External Flash Compatibility
Sony a System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe
Focus system
FOCUS POINT
Still images: Max. 759 points (phase-detection AF), Movies: Max. 627 points (phase-detection AF)
Other Features
AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie)
AF illuminator
Yes (with Built-in LED type)
Recognition Target (Still images)
Human, Animal, Bird, Insect, Car, Train, Airplane
Recognition Target (Movies)
Human, Animal, Bird, Insect, Car, Train, Airplane
Focus Sensitivity Range
EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached)
Focus Type
Fast Hybrid AF (phase-detectio n AF / contrast-detection AF)
Image Sensor
Number of Pixels (total)
Approx. 34.1 megapixels
Anti-Dust System
Yes
Camera Section
Sensor Type
35mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensor
Number of Pixels (Effective)
Still images: Approx. 33.0 megapixels max.¹, Movies: Approx. 27.6 megapixels max.
Color Temperature Range
2500 K - 9900 K
LCD Screen
Monitor Type
7.5 cm (3.0-type) type TFT
Touch Panel
Yes
Number of Dots
1 036 800 dots
Adjustable Angle
Opening Angle: Approx. 176 °, Rotation Angle: Approx. 270 °
Movie function
Proxy Recording
Yes
SLOW & QUICK MOTION (SHOOTING FRAME RATE)
Yes
TC / UB
Yes
Recording System
Memory Card Slot
Slot for SD (UHS-I/II compliant) memory card
Recording (movie)
Video Compression
XAVC S: MPEG-4 AVC/H.264, XAVC HS: MPEG-H HEVC/H.265
Audio Recording Format
LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit) ², LPCM 4ch (48 kHz 24 bit)
Recording (still images)
Recording Format
JPEG (DCF Ver. 2.0, Exif Ver. 2.3 2, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
Image Size (pixels) [3:2]
35mm full frame L: 7008 x 4672 (33 M), M: 4608 x 3072 (14 M), S: 3504 x 2336 (8.2 M)
Image Quality Modes
RAW, JPEG, HEIF (4:2:0 / 4:2:2), RAW+JPEG, RAW+HEIF
14bit RAW
YES
Shutter
Shutter Type
Mechanical shutter / Electronic shutter
SHUTTER SPEED
Still images (Mechanical shutter): 1/4000 to 30 s, Bulb, Still images (Electronic shutter): 1/8000 to 30 s, Movies: 1/8000 to 1 s
Flash Sync. Speed
1/160 s (35mm full frame), 1/200 s (APS-C) 4
Electronic Front Curtain Shutter
Yes
VIDEO DATA FORMAT
MJPEG, YUV420
Video Resolution
3840 x 2160 (15p / 30p), 3840 x 2160 (12.5p / 25p), 1920 x 1080 (30p / 60p), 1920 x 1080 (25p / 50p), 1280 x 720 (30p), 1280 x 720 (25p)
AUDIO DATA FORMAT
LPCM 2ch (16bit 48 kHz)
Size & Weight
Dimensions (W x H x D)
Approx. 124.0 x 71.1 x 63.4 mm, Approx. 124.0 x 71.1 x 58.6 mm (from grip to monitor) / Approx. 5 x 2 7/8 x 2 1/2 inches, Approx. 5 x 2 7/8 x 2 3/8 inches (from grip to monitor)
Weight (with battery and memory card included)
Approx. 514 g / Approx. 1 lb 2.2oz
Body only
Approx. 429 g / Approx. 0 lb 15.2 oz
Image Stabilization
type
Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)
Mode
Still images: On / Off, Movie: Active / Standard / Off
Compensation Effect
7.0 stops (based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long exposure NR off.)
Operating temperature
Operating Temperature
0 - 40 ? / 32 - 104 °F
Viewfinder
type
1.0 cm (0.39 type) electronic viewfinder (XGA OLED)
Magnification
Approx. 0.70x (with 50 mm lens at infinity, -1 m-¹)
Eye Point
Approx. 22 mm from the eyepiece lens, 19.6 mm from the eyepiece frame at -1 m-¹ (CIPA standard)
Number of Dots
2 359 296 dots
Finder Frame Rate Selection
NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps
DIOPTRE
-4.0 to +3.0 m-¹
Audio
Microphone
Built-in, stereo
Speaker
Built-in, monaural
Interface
Wireless LAN(built-in)
Yes (Wi-Fi Compatible, IEEE 80 2.11a/b/g/n/ac (2.4 GHz band/ 5 GHz band)) 7 8 Yes (Wi-Fi Compatible, IEEE 80 2.11b/g/n (2.4 GHz band)) ?
HDMI OUTPUT
HDMI micro connector (Type- D), 3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbC r 4:2:2 10bit / RGB 8bit
Multi Interface Shoe
Yes (with Digital Audio Interface) ¹°
PC Interface
Mass storage / MTP
Bluetooth
Yes (Bluetooth Standard Ver. 4.2 (2.4 GHz band))
Mic Terminal
Yes (3.5 mm Stereo minijack)
Headphone Terminal
Yes (3.5 mm Stereo minijack)
Remote Control (Wireless)
Yes (Bluetooth remote control)
Functions
FTP Transfer Func. (Wired LAN (USB-LAN), USB Tethering, Wi-Fi), Send to smartphone, Remote control via smartphone, PC Remote
USB Type-C Terminal
Yes (SuperSpeed USB 5 Gbps (USB 3.2) compatible)
Playback
Modes
Enlarged display mode, Protect, Rating, Shot Mark (Movie), Divider Frame, Crop, Photo Capture
Power
USB Power Supply
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Supplied Battery
One rechargeable battery pack NP-FZ100
Battery Life (Still Images)
Approx. 530 shots (Viewfinder) / Approx. 560 shots (LCD monit or) (CIPA standard)¹²
Battery Life (Movie, actual recording)
Approx. 100 min (Viewfinder) / Approx. 105 min (LCD monitor) (CIPA standard) ¹³
Battery Life (Movie, continuous recording)
Approx. 165 min (Viewfinder) / Approx. 165 min (LCD monitor) (CIPA standard)
Internal Battery Charge
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Power consumption with Viewfinder
Still images: Approx. 3.7 W (with FE 28-60mm F4-5.6 lens attached), Movies: Approx. 6.0 W (with FE 28-60mm F4-5.6 lens attached)
Power consumption with LCD screen
Still images: Approx. 3.5 W (with FE 28-60mm F4-5.6 lens attached), Movies: Approx. 6.0 W (with FE 28-60mm F4-5.6 lens attached)
Big vision wherever you go
Full-frame CMOS image sensor with 33.01 effective megapixels
Delivering outstanding performance and excellent image quality for both stills and movies, the a7C II's new 33.0 megapixel1 Exmor R™ CMOS image sensor provides high-speed readout, high sensitivity from ISO 100 to ISO 512002, low noise, and highly accurate color reproduction
Advanced BIONZ XR™ engine
The advanced BIONZ XR processing engine delivers up to eight times3 more processing power than its predecessor. It minimizes processing latency while boosting movie and still image processing power, achieving natural gradations, realistic color, low noise, superior image quality and fast menu response.
Consistently accurate exposure and color
Employing the latest processing engine combined with an advanced AE algorithm, the a7C II can detect the skin area of faces and adjust exposure accordingly for both stills and movies. It achieves consistent exposure control even in challenging shooting conditions when the subject is backlit, in shadows or direct sunlight, or not directly facing the camera.
Realize your vision with Creative Look
Set the visual mood with Creative Look, which offers 10 customizable presets so you can capture the world the way you want. Either use the presets as they are or adjust eight parameters, including contrast, saturation, and shadows4, to create shareable stills and movies in-camera without the need for post-production editing.
Selectable RAW image sizes and quality
Lossless RAW image compression provides efficient compression for smaller file sizes with no loss in image quality, enabling the camera to shoot up to 27 frames in continuous bursts. There are three lossless-compression image sizes (S/M/L) to suit any application, and a Light image quality selection that generates less data is provided for JPEG and HEIF images.
Advanced optical 5-axis image stabilization
Enjoy even more stable handheld shooting for stills, thanks to the a7C II's high-precision image stabilization unit, advanced gyro sensors, and optimized image stabilization algorithms that effectively compensate for up to 7.0-steps5 of camera shake. Compatible lenses with built-in image stabilization6 combine with improved synchronization between the body and lens to make framing easier even at telephoto focal lengths that can otherwise cause a large amount of blur.
More than 70 E-mount lenses offer boundless creativity
The a7C II is compatible with Sony's extensive lineup of optically advanced E-mount lenses, including the G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series with excellent image quality and smooth bokeh. Compact and lightweight, these lenses offer a wide range of photographic and videographic applications.
High performance movie making
The technology to bring your creative vision to life
Enjoy high-quality movie recording capabilities no matter when or where you're shooting. The a7C II offers 4K 60p/50p movie capture7,8, S-Cinetone™ for a cinematic look straight out of the camera, and Log shooting for flexible post processing, all within a remarkably compact, lightweight body that's compatible with gimbal or drone-mounted shooting.
Outstanding 4K movie recording up to 60p/50p
The a7C II offers 4K 60p/50p movie capture7,8 with full pixel readout and no pixel binning, taking advantage of the latest BIONZ XR processing engine and its wide dynamic range to produce exceptionally smooth images of fast-moving subjects. When recording 4K movies at 30p, full-frame 7K oversampling delivers 4K with enhanced clarity and detail.
S-Cinetone™ to easily create a cinematic look
Utilizing the same color science from Sony's highly regarded Cinema Line, S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin tones, plus soft colors and gorgeous highlights.
Advanced movie recording for simpler post-production
In-camera 10-bit 4:2:2 recording is available when using Long GOP or All-Intra compression9, making it possible to color grade for fuller, more natural gradations while generally providing greater editing freedom.
Log recording for powerful creative possibilities
The a7C II boasts an S-Log3 gamma curve that emphasizes gradation characteristics from shadows to mid-grey (18% grey), achieving 14+ stops of latitude10. S-Gamut3 and S-Gamut3.Cine color gamut settings are also provided. You can apply a custom LUT (Look Up Table) with a Log gamma curve to preview how the footage will look in post-production, or to even record footage conveniently with a PP LUT already applied.
Active Mode image stabilization supports handheld movie shooting
Active Mode provides enhanced image stabilization for handheld shooting. A precision image stabilization unit, advanced gyro sensors, and an optimized image stabilization algorithm work together for exceedingly smooth, stable movie footage. In addition to this in-body stabilization, compatible lenses with their own built-in image stabilization12 coordinate with the camera body for highly effective control, enabling handheld telephoto shots with greater clarity.
Stay focused with Real-time Tracking
Select a subject and let Real-time Tracking do the work for you - the camera automatically detects and tracks the subject, keeping the focus with a high level of accuracy.
Breathing compensation for consistent angle of view
With the breathing compensation function turned on, the a7C II employs Sony's original Clear Image Zoom technology to suppress focus breathing, allowing you to shoot movies with more stable images. Breathing metadata can also be used with the advanced breathing compensation capabilities of the latest Catalyst Browse/Prepare Plugin software during post-production.
Metadata facilitates editing workflow
Metadata embedded in recorded footage can be used by Sony's Catalyst Browse/Prepare/Prepare Plugin software, significantly speeding up post-production. Shot marks can be easily added to clips during or after recording to mark favorite scenes, allowing you to quickly locate them during playback in the camera or editing with compatible software.
Smarter, faster AF
AI processing unit for advanced subject recognition
The a7C II is equipped with an AI processing unit specifically dedicated to processing significant amounts of data, enabling more accurate recognition of subjects and recognition of a wider range of subject types.
Human pose estimation for accurate subject recognition
With its innovative AI processing unit, the a7C II can accurately recognize human movement, achieving significant improvement in human eye recognition. Its human pose estimation technology uses a skeleton-based model, enabling it to recognize not just eyes, but also body and head positions with high precision, so it can even lock onto and track a subject facing away from the camera or with their face partially obscured.
Reliable recognition of a wider range of subjects
The a7C II features a powerful AI processing unit, capable of human, animal, bird, insect, car/train and airplane14 recognition. Animal recognition now recognizes the eyes of some grazing and small animals, in addition to the eyes and heads of dogs, cats and similarly featured animals. It can even recognize these animals when their eyes are obscured from view. The camera also comes with bird recognition, enabling it to pinpoint the eyes of a variety of bird types as well as recognizing birds' heads and bodies.
Tenacious Real-time Tracking
The a7C II boasts greatly improved AI-based subject recognition, offering higher tracking reliability in a wider range of shooting situations. Specify a subject and half-press the shutter button to get the camera to start tracking, leaving you free to concentrate on framing and composition.
AI-based Auto Framing for movies
Using AI-based subject recognition technology, the Auto Framing feature automatically crops for optimum framing when shooting movies. Even when the camera is mounted on a tripod, the framing is continually adjusted so that the recorded footage looks like the subject was being followed by a camera operator. Accurate tracking is possible even when the camera is being operated remotely via the Creators' App17 on a smartphone.
Exposure control
METERING SENSITIVITY
EV-3 to EV20 (ISO100 equivalen t with F2.0 lens attached)
Metering Type
1200-zone evaluative metering
Exposure Compensation
+/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)
Anti-Flicker Shoot.
Yes
ISO Sensitivity
Still images: ISO 100 - 51200 (expandable to ISO 50 - 204800), AUTO (ISO 100 - 12800, selectable lower limit and upper limit), Movies: ISO 100 -51200 equivalent (expandable to ISO 100 - 102400), AUTO (ISO 100 - 12800, selectable lower limit and upper limit)
Flash
Flash compensation
+/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)
Control
Pre-flash TTL
External Flash Compatibility
Sony a System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe
Focus system
FOCUS POINT
Still images: Max. 759 points (phase-detection AF), Movies: Max. 627 points (phase-detection AF)
Other Features
AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie)
AF illuminator
Yes (with Built-in LED type)
Recognition Target (Still images)
Human, Animal, Bird, Insect, Car, Train, Airplane
Recognition Target (Movies)
Human, Animal, Bird, Insect, Car, Train, Airplane
Focus Sensitivity Range
EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached)
Focus Type
Fast Hybrid AF (phase-detectio n AF / contrast-detection AF)
Image Sensor
Number of Pixels (total)
Approx. 34.1 megapixels
Anti-Dust System
Yes
Camera Section
Sensor Type
35mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensor
Number of Pixels (Effective)
Still images: Approx. 33.0 megapixels max.¹, Movies: Approx. 27.6 megapixels max.
Color Temperature Range
2500 K - 9900 K
LCD Screen
Monitor Type
7.5 cm (3.0-type) type TFT
Touch Panel
Yes
Number of Dots
1 036 800 dots
Adjustable Angle
Opening Angle: Approx. 176 °, Rotation Angle: Approx. 270 °
Movie function
Proxy Recording
Yes
SLOW & QUICK MOTION (SHOOTING FRAME RATE)
Yes
TC / UB
Yes
Recording System
Memory Card Slot
Slot for SD (UHS-I/II compliant) memory card
Recording (movie)
Video Compression
XAVC S: MPEG-4 AVC/H.264, XAVC HS: MPEG-H HEVC/H.265
Audio Recording Format
LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit) ², LPCM 4ch (48 kHz 24 bit)
Recording (still images)
Recording Format
JPEG (DCF Ver. 2.0, Exif Ver. 2.3 2, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
Image Size (pixels) [3:2]
35mm full frame L: 7008 x 4672 (33 M), M: 4608 x 3072 (14 M), S: 3504 x 2336 (8.2 M)
Image Quality Modes
RAW, JPEG, HEIF (4:2:0 / 4:2:2), RAW+JPEG, RAW+HEIF
14bit RAW
YES
Shutter
Shutter Type
Mechanical shutter / Electronic shutter
SHUTTER SPEED
Still images (Mechanical shutter): 1/4000 to 30 s, Bulb, Still images (Electronic shutter): 1/8000 to 30 s, Movies: 1/8000 to 1 s
Flash Sync. Speed
1/160 s (35mm full frame), 1/200 s (APS-C) 4
Electronic Front Curtain Shutter
Yes
VIDEO DATA FORMAT
MJPEG, YUV420
Video Resolution
3840 x 2160 (15p / 30p), 3840 x 2160 (12.5p / 25p), 1920 x 1080 (30p / 60p), 1920 x 1080 (25p / 50p), 1280 x 720 (30p), 1280 x 720 (25p)
AUDIO DATA FORMAT
LPCM 2ch (16bit 48 kHz)
Size & Weight
Dimensions (W x H x D)
Approx. 124.0 x 71.1 x 63.4 mm, Approx. 124.0 x 71.1 x 58.6 mm (from grip to monitor) / Approx. 5 x 2 7/8 x 2 1/2 inches, Approx. 5 x 2 7/8 x 2 3/8 inches (from grip to monitor)
Weight (with battery and memory card included)
Approx. 514 g / Approx. 1 lb 2.2oz
Body only
Approx. 429 g / Approx. 0 lb 15.2 oz
Image Stabilization
type
Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)
Mode
Still images: On / Off, Movie: Active / Standard / Off
Compensation Effect
7.0 stops (based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long exposure NR off.)
Operating temperature
Operating Temperature
0 - 40 ? / 32 - 104 °F
Viewfinder
type
1.0 cm (0.39 type) electronic viewfinder (XGA OLED)
Magnification
Approx. 0.70x (with 50 mm lens at infinity, -1 m-¹)
Eye Point
Approx. 22 mm from the eyepiece lens, 19.6 mm from the eyepiece frame at -1 m-¹ (CIPA standard)
Number of Dots
2 359 296 dots
Finder Frame Rate Selection
NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps
DIOPTRE
-4.0 to +3.0 m-¹
Audio
Microphone
Built-in, stereo
Speaker
Built-in, monaural
Interface
Wireless LAN(built-in)
Yes (Wi-Fi Compatible, IEEE 80 2.11a/b/g/n/ac (2.4 GHz band/ 5 GHz band)) 7 8 Yes (Wi-Fi Compatible, IEEE 80 2.11b/g/n (2.4 GHz band)) ?
HDMI OUTPUT
HDMI micro connector (Type- D), 3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbC r 4:2:2 10bit / RGB 8bit
Multi Interface Shoe
Yes (with Digital Audio Interface) ¹°
PC Interface
Mass storage / MTP
Bluetooth
Yes (Bluetooth Standard Ver. 4.2 (2.4 GHz band))
Mic Terminal
Yes (3.5 mm Stereo minijack)
Headphone Terminal
Yes (3.5 mm Stereo minijack)
Remote Control (Wireless)
Yes (Bluetooth remote control)
Functions
FTP Transfer Func. (Wired LAN (USB-LAN), USB Tethering, Wi-Fi), Send to smartphone, Remote control via smartphone, PC Remote
USB Type-C Terminal
Yes (SuperSpeed USB 5 Gbps (USB 3.2) compatible)
Playback
Modes
Enlarged display mode, Protect, Rating, Shot Mark (Movie), Divider Frame, Crop, Photo Capture
Power
USB Power Supply
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Supplied Battery
One rechargeable battery pack NP-FZ100
Battery Life (Still Images)
Approx. 530 shots (Viewfinder) / Approx. 560 shots (LCD monit or) (CIPA standard)¹²
Battery Life (Movie, actual recording)
Approx. 100 min (Viewfinder) / Approx. 105 min (LCD monitor) (CIPA standard) ¹³
Battery Life (Movie, continuous recording)
Approx. 165 min (Viewfinder) / Approx. 165 min (LCD monitor) (CIPA standard)
Internal Battery Charge
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Power consumption with Viewfinder
Still images: Approx. 3.7 W (with FE 28-60mm F4-5.6 lens attached), Movies: Approx. 6.0 W (with FE 28-60mm F4-5.6 lens attached)
Power consumption with LCD screen
Still images: Approx. 3.5 W (with FE 28-60mm F4-5.6 lens attached), Movies: Approx. 6.0 W (with FE 28-60mm F4-5.6 lens attached)
Allowances
As an international traveller you are entitled to bring a certain amount/value of goods that are free of Customs duty and exempt Goods and Services tax (GST) into New Zealand. This is called your duty free allowance and personal goods concession. It is important to review these for any purchases you make on The Mall.
Your duty free allowance entitles you to bring into New Zealand the following quantities of alcohol products free of customs duty and GST provided you are over 17 years of age. You do need to be 18 years or over to purchase.
- Up to six bottles (4.5 litres) of wine, champagne, port or sherry or
- Up to twelve cans (4.5 litres) of beer
- And three bottles (or other containers) each containing not more than 1125ml of spirits, liqueur, or other spirituous beverages
Goods other than alcohol and tobacco, whether purchased overseas or purchased duty free in New Zealand, that have a combined total value not exceeding NZ$700 may also be brought as part of your personal goods concession.
When travelling overseas there are legal limits on the amount of duty free alcohol and other goods you can take with you. These amounts will vary depending on the country you are flying into. We always recommend you check the latest limits and exemptions.
Click & Collect
Your order can be picked up at an Auckland Airport Collection Point. There is one in departures and one at arrivals in the international terminal. Alternatively, if you are arriving between 11pm and 6am you will be able to collect your order from our lockers. See map
Please bring your order confirmation email and your passport. If you are collecting from lockers you will have been sent an email with your access code, be sure to have this on you in order to collect your order.
If you’re departing Auckland Airport, we recommend that you come to the Auckland Airport Collection Point at least 60 minutes before your flight. If you miss your pickup time or your flight details have changed please let us know as soon as possible.
When you collect your order you will have the opportunity to inspect the items and sign for them.
If you need to return an item, our Collection Point team are there to help you. If you are collecting after hours please return the item to your locker and our team will be in touch as soon as possible. You may also like to view our Returns & refunds which provides information on how this works and outlines the individual retailer's returns and refunds policies.
After Hours Collections
If your order needs to be collected after the Auckland Airport Collection Point desk is closed, your order will be placed in the lockers next to the desk. All the details you will need to collect your order will be provided in your Order Confirmation and Ready to Collect Email.