Description
Sony Alpha a6700 Body Only - 26MP Exmor R APS-C BSI CMOS Sensor Mirrorless Camera
FOCUS TOOLS FOR SHOOTING VIDEO
Movie making is made simpler with the Focus Map function that allows you to visualise depth of field when recording video. Focus information is overlaid on the live view display in real time so that you can easily identify the in-focus and out-of-focus areas - particularly useful when shooting with a large-aperture to create a narrow depth of field. The camera also offers peaking display, making it possible to check auto and manual focus while recording.
HIGH-PERFORMANCE ELECTRONIC VIEWFINDER
A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification renders your world in exceptional detail. With twice the brightness of the a6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps - twice the standard rate - for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects.
VIEW FROM EVERY ANGLE
Whether you're shooting handheld or with gimbal, the a6700's large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor provides broad positioning and framing freedom so you can capture the shots you need. It also provides a huge advantage for very low ground-level shots, or other narrow shooting environments, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and movies.
REAL-TIME RECOGNITION AF FOR HUMAN
The a6700 uses subject form data to recognise movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognise body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face obscured by sunglasses or a helmet.
REAL-TIME RECOGNITION AF FOR WIDER RANGE OF SUBJECTS
In addition to humans and animals, the a6700 now recognises birds, insects, cars, trains and airplanes, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognised in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40% higher compared to the a6600.
FASTER, MORE PRECISE AF SYSTEM
The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, covering approximately 93% of the image area when shooting stills. Deep learning technology supports powerful Real-time Recognition AF as well as more reliable Real-time Tracking, in turn supported by higher Fast Hybrid AF performance over a wider area.
SHOOT MORE THAN 1000 IMAGES AT HIGH SPEED
The a6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts. The camera can also shoot silently and continuously with the camera's noiseless, vibration-free electronic shutter at speeds up to 11 fps with full resolution and AF/AE tracking.
ACCURATE AF IN LOW EV -3.0 LIGHT
The latest AF algorithms achieve high AF precision down to light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures.
FULL-TIME DMF
When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly.
FOCUS BRACKETING TO CAPTURE THE BEST SHOT
The a6700 can automatically shoot up to 299 images with sequentially shifted focus points according to custom intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus.
IN-CAMERA TIME-LAPSE CREATION
The in-camera time-lapse function allows you to create time-lapse videos within the camera itself. The exposure interval can be set from 1 second to 60 seconds, making it easy to compress slow action into enjoyable time-lapse sequences. When a compatible video light (sold separately) is attached to the camera, it can be set to turn on just before each exposure so that time-lapse sequences can be shot in low-light settings.
BREATHING COMPENSATION FOR CONSISTENT ANGLE OF VIEW
When shooting movies with compatible lenses, breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production.
OUTSTANDING 4K MOVIE RECORDING
The a6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 colour sampling.
EXPRESSIVE S-CINETONE
Incorporating the same colour science as the highly regarded CineAlta and Cinema Line, the a6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful colour reproduction and natural skin tones.
S-LOG3 GAMMA CURVE WITH 14+ STOPS OF LATITUDE
S-Log3 gamma curve with 14+ stops of latitude (45)The S-Log3 gamma curve emphasises gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops of latitude for creative colour grading possibilities.
CREATIVE LOOK
Creative Look offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or adjusted to suit the subject or scene, whether you're shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately.
10-BIT HEIF STILL-IMAGE FORMAT FOR SMOOTH GRADATIONS
For the first time in an APS-C camera, the a6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones without banding. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space.
IMPORT AND USE CUSTOM LUT FILES
See how your footage will look in post-processing while you're shooting S-Log. The a6700 allows you to import a user LUT (Look Up Table) in the .cube format that can be applied to the camera's monitor image to preview what the images will look like when the LUT is applied in post-production.
SMARTER REAL-TIME TRACKING
The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The a6700 can even track people wearing helmets, or animals facing away from the camera.
HIGH FRAME RATE 4K 120P RECORDING
High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasised or transformed into smooth slow motion. S&Q mode also enables recording of slow or quick motion sequences in camera from the outset.
ACTIVE MODE FOR ENHANCED MOVIE IMAGE STABILISATION
Active Mode provides powerful image stabilisation for handheld movie shooting. The a6700 can accurately detect camera shake which is then precisely compensated for optically, providing highly effective stabilisation without sacrificing mobility, even when shooting 4K.
AI-BASED AUTO FRAMING FOR MOVIES
Through AI-based subject recognition technology, the Auto Framing feature automatically crops the frame to keep the subject in a prominent position when shooting movies. Even if the camera is mounted on an unmanned tripod, framing is continually adjusted so that recorded footage looks like the subject was being followed by an experienced camera operator.
Clear Image Zoom
Still images
Approx. 2x
Movies
Approx. 1.5x (4K), Approx. 2x (HD)
Exposure control
METERING SENSITIVITY
EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)
Metering Type
1200-zone evaluative metering
Exposure Compensation
+/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)
ISO Sensitivity (Recommended Exposure Index)
Still images: ISO 100 - 32000 (expandable to ISO 50 - 102400), AUTO (ISO 100 - 6400, selectable lower limit and upper limit) Movies: ISO 100 - 32000 equivalent, AUTO (ISO 100 - 6400, selectable lower limit and upper limit)
Anti-Flicker Shoot.
Yes
Flash
Flash compensation
+/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)
Control
Pre-flash TTL
type
-
External Flash Compatibility
Sony a System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe
Focus system
type
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
FOCUS POINT
Still images: Max. 759 points (phase-detection AF) Movies: Max. 495 points (phase-detection AF)
Other Features
AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie)
AF illuminator
Yes (with Built-in LED type)
Focus Sensitivity Range
EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)
Recognition Target (Still images)
Human, Animal, Bird, Insect, Car, Train, Airplane
Recognition Target (Movies)
Human, Animal, Bird, Insect, Car, Train, Airplane
LCD Screen
Touch Panel
Yes
Number of Dots
1 036 800 dots
Adjustable Angle
Opening Angle: Approx. 176°, Rotation Angle: Approx. 270°
type
7.5 cm (3.0-type) type TFT
Movie Functions
Slow & Quick Motion (S&Q)
Yes
Proxy Recording
Yes
TC/UB
Yes
Movie Recording Format (XAVC HS 4K)
3840 x 2160 (4:2:0, 10bit) (Approx.)
119.88p (200 Mbps), 100p (200 Mbps), 59.94p (150 Mbps / 75 Mbps / 45 Mbps), 50p (150 Mbps / 75 Mbps / 45 Mbps), 23.98p (100 Mbps / 50 Mbps / 30 Mbps)
3840 x 2160 (4:2:2, 10bit) (Approx.)
119.88p (280 Mbps), 100p (280 Mbps), 59.94p (200 Mbps / 100 Mbps), 50p (200 Mbps / 100 Mbps), 23.98p (100 Mbps / 50 Mbps)
Movie Recording Format (XAVC S 4K)
3840 x 2160 (4:2:0, 8bit) (Approx.)
119.88p (200 Mbps), 100p (200 Mbps), 59.94p (150 Mbps), 50p (150 Mbps), 29.97p (100 Mbps / 60 Mbps), 25p (100 Mbps / 60 Mbps), 23.98p (100 Mbps / 60 Mbps)
3840 x 2160 (4:2:2, 10bit) (Approx.)
119.88p (280 Mbps), 100p (280 Mbps), 59.94p (200 Mbps), 50p (200 Mbps), 29.97p (140 Mbps), 25p (140 Mbps), 23.98p (100 Mbps)
Movie Recording Format (XAVC S HD)
1920 x 1080 (4:2:0, 8bit) (Approx.)
119.88p (100 Mbps / 60 Mbps), 100p (100 Mbps / 60 Mbps), 59.94p (50 Mbps / 25 Mbps), 50p (50 Mbps / 25 Mbps), 29.97p (50 Mbps / 16 Mbps), 25p (50 Mbps / 16 Mbps), 23.98p (50 Mbps)
1920 x 1080 (4:2:2, 10bit) (Approx.)
59.94p (50 Mbps), 50p (50 Mbps), 29.97p (50 Mbps), 25p (50 Mbps), 23.98p (50 Mbps)
Movie Recording Format (XAVC S-I 4K)
3840 x 2160 (4:2:2, 10bit) (Approx.)
59.94p (600 Mbps), 50p (500 Mbps), 29.97p (300 Mbps), 25p (250 Mbps), 23.98p (240 Mbps)
Movie Recording Format (XAVC S-I HD)
1920 x 1080 (4:2:2, 10bit) (Approx.)
59.94p (222 Mbps), 50p (185 Mbps), 29.97p (111 Mbps), 25p (93 Mbps), 23.98p (89 Mbps)
Power Consumption
With Viewfinder
Still images: Approx. 3.6 W (with E PZ 16-50mm F3.5-5.6 OSS lens attached), Movies: Approx. 5.2 W (with E PZ 16-50mm F3.5-5.6 OSS lens attached)
With LCD screen
Still images: Approx. 3.5 W (with E PZ 16-50mm F3.5-5.6 OSS lens attached), Movies: Approx. 5.3 W (with E PZ 16-50mm F3.5-5.6 OSS lens attached)
Recording System
Memory Card Slot
Slot for SD (UHS-I/II compliant) memory card
Recording system (movie)
Video Compression
XAVC S: MPEG-4 AVC/H.264 XAVC HS: MPEG-H HEVC/H.265
Audio Recording Format
LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit)³?, LPCM 4ch (48 kHz 24 bit)³?
Recording system (still image)
Recording Format
JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
Image Size (pixels) [3:2]
APS-C L: 6192 x 4128 (26 M), M: 4384 x 2920 (13 M), S: 3104 x 2064 (6.4 M)
Image Quality Modes
RAW, JPEG, HEIF (4:2:0 / 4:2:2), RAW & JPEG, RAW & HEIF
RAW Output
Yes
Shutter
Shutter Type
Mechanical shutter / Electronic shutter
SHUTTER SPEED
Still images (Mechanical shutter): 1/4000 to 30 s, Bulb Still images (Electronic shutter): 1/8000 to 30 s Movies: 1/8000 to 1 s
Flash Sync. Speed
1/160 s
Electronic Front Curtain Shutter
Yes (ON/OFF)
USB Streaming
VIDEO DATA FORMAT
MJPEG, YUV420
Video Resolution
3840 x 2160 (15p / 30p) 3840 x 2160 (12.5p / 25p) 1920 x 1080 (30p / 60p) 1920 x 1080 (25p / 50p) 1280 x 720 (30p) 1280 x 720 (25p)
AUDIO DATA FORMAT
LPCM 2ch (16bit 48 kHz)
Viewfinder
Viewfinder Type
1.0 cm (0.39 type) electronic viewfinder (XGA OLED)
Magnification
Approx. 1.07x (35 mm camera equivalent: Approx. 0.70x) with 50 mm lens at infinity, -1 m?¹
Eye Point
Approx. 22 mm from the eyepiece lens, 19.4 mm from the eyepiece frame at -1 m?¹ (CIPA standard)
Number of Dots
2 359 296 dots
Dioptre Adjustment
-4.0 to +3.0 m?¹
Finder Frame Rate Selection
NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps
Weight
Body only
Approx. 409 g
Weight (with battery and memory card included)
Approx. 1 lb 1.4 oz
Body only (oz.)
Approx. 0 lb 14.5 oz
Dimensions
Dimensions (W x H x D)
Approx. 122.0 x 69.0 x 75.1 mm, Approx. 122.0 x 69.0 x 63.6 mm (FROM GRIP TO MONITOR)
Dimensions (W x H x D) (in.)
Approx. 4 7/8 x 2 3/4 x 3 inches, Approx. 4 7/8 x 2 3/4 x 2 5/8 inches (FROM GRIP TO MONITOR)
Drive
Continuous Drive Speed (approx. max.)
Hi+: 11 fps
No. of recordable frames (approx.)
JPEG Extra fine L: 143 frames JPEG Fine L: over 1000 frames JPEG Standard L: over 1000 frames RAW: 59 frames RAW & JPG: 44 frames RAW (Lossless Compressed): 23 frames RAW (Lossless Compressed) & JPEG: 18 frames
Pixel Shift Multi Shooting
-
Image Stabilization
type
Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)
Mode
Still images: On / Off Movie: Active / Standard / Off
Compensation Effect
5.0 stops (based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long exposure NR off.)
Lens Compensation
Setting
Shading, Chromatic Aberration, Distortion, Breathing (Movie)
Operating temperature
Operating Temperature
0 - 40 ? / 32 - 104 °F
Audio
Microphone
Built-in, stereo
Speaker
Built-in, monaural
Camera Section
Number of Pixels (Effective)
Still images: Approx. 26.0 megapixels max. Movies: Approx. 19.9 megapixels max.
Number of Pixels (total)
Approx. 27.0 megapixels
type
APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor
Color Temperature Range
2500 K - 9900 K
Anti-Dust System
Yes
Interface
HD Output
HDMI micro connector (Type-D), 3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10bit / RGB 8bit
Multi Interface Shoe
Yes (with Digital Audio Interface)
PC Interface
Mass Storage / MTP
Multi / Micro USB Terminal
-
NFC™
-
Sync terminal
-
Wireless LAN (Built-In)
Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))44,45
Bluetooth
Yes (Bluetooth Standard Ver. 4.2 (2.4 GHz band))
Mic Terminal
Yes (3.5 mm Stereo minijack)
Headphone Terminal
Yes (3.5 mm Stereo minijack)
Remote Control (Wireless)
Yes (Bluetooth remote control)
LAN Terminal
-
USB Type-C® Terminal
Yes (SuperSpeed USB 5 Gbps (USB 3.2) compatible)
Functions
Send to smartphone Remote control via smartphone PC Remote
Playback
Modes
Enlarged display mode, Protect, Rating, Shot Mark (Movie), Divider Frame, Crop, Photo Capture
Power
USB Power Supply
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Supplied Battery
One rechargeable battery pack NP-FZ100
Battery Life (Movie, continuous recording)
Approx. 190 min (Viewfinder) / Approx. 185 min (LCD monitor) (CIPA standard)
Internal Battery Charge
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Battery Life (Still Images)
Approx. 550 shots (Viewfinder) / Approx. 570 shots (LCD monitor) (CIPA standard)
Battery Life (Movie, actual recording)
Approx. 95 min (Viewfinder) / Approx. 100 min (LCD monitor) (CIPA standard)
Accessibility
Functions
Screen Reader, Focus Magnifier, Focus Map (Movie), Peaking Display, Subject Recognition in AF, Touch Focus, Touch Tracking, Touch Shutter, Touch AE, Vari-angle LCD screen, Custom function
What's In The Box
Supplied Accessory
Rechargeable Battery NP-FZ100, Shoulder strap, Body cap, Accessory shoe cap, Eyepiece cup
Other Features
Other Features
Soft Skin Effect, Creative Look, Custom function, Picture Profile, Time-lapse, Auto Framing, My Image Style
FOCUS TOOLS FOR SHOOTING VIDEO
Movie making is made simpler with the Focus Map function that allows you to visualise depth of field when recording video. Focus information is overlaid on the live view display in real time so that you can easily identify the in-focus and out-of-focus areas - particularly useful when shooting with a large-aperture to create a narrow depth of field. The camera also offers peaking display, making it possible to check auto and manual focus while recording.
HIGH-PERFORMANCE ELECTRONIC VIEWFINDER
A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification renders your world in exceptional detail. With twice the brightness of the a6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps - twice the standard rate - for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects.
VIEW FROM EVERY ANGLE
Whether you're shooting handheld or with gimbal, the a6700's large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor provides broad positioning and framing freedom so you can capture the shots you need. It also provides a huge advantage for very low ground-level shots, or other narrow shooting environments, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and movies.
REAL-TIME RECOGNITION AF FOR HUMAN
The a6700 uses subject form data to recognise movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognise body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face obscured by sunglasses or a helmet.
REAL-TIME RECOGNITION AF FOR WIDER RANGE OF SUBJECTS
In addition to humans and animals, the a6700 now recognises birds, insects, cars, trains and airplanes, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognised in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40% higher compared to the a6600.
FASTER, MORE PRECISE AF SYSTEM
The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, covering approximately 93% of the image area when shooting stills. Deep learning technology supports powerful Real-time Recognition AF as well as more reliable Real-time Tracking, in turn supported by higher Fast Hybrid AF performance over a wider area.
SHOOT MORE THAN 1000 IMAGES AT HIGH SPEED
The a6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts. The camera can also shoot silently and continuously with the camera's noiseless, vibration-free electronic shutter at speeds up to 11 fps with full resolution and AF/AE tracking.
ACCURATE AF IN LOW EV -3.0 LIGHT
The latest AF algorithms achieve high AF precision down to light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures.
FULL-TIME DMF
When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly.
FOCUS BRACKETING TO CAPTURE THE BEST SHOT
The a6700 can automatically shoot up to 299 images with sequentially shifted focus points according to custom intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus.
IN-CAMERA TIME-LAPSE CREATION
The in-camera time-lapse function allows you to create time-lapse videos within the camera itself. The exposure interval can be set from 1 second to 60 seconds, making it easy to compress slow action into enjoyable time-lapse sequences. When a compatible video light (sold separately) is attached to the camera, it can be set to turn on just before each exposure so that time-lapse sequences can be shot in low-light settings.
BREATHING COMPENSATION FOR CONSISTENT ANGLE OF VIEW
When shooting movies with compatible lenses, breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production.
OUTSTANDING 4K MOVIE RECORDING
The a6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 colour sampling.
EXPRESSIVE S-CINETONE
Incorporating the same colour science as the highly regarded CineAlta and Cinema Line, the a6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful colour reproduction and natural skin tones.
S-LOG3 GAMMA CURVE WITH 14+ STOPS OF LATITUDE
S-Log3 gamma curve with 14+ stops of latitude (45)The S-Log3 gamma curve emphasises gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops of latitude for creative colour grading possibilities.
CREATIVE LOOK
Creative Look offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or adjusted to suit the subject or scene, whether you're shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately.
10-BIT HEIF STILL-IMAGE FORMAT FOR SMOOTH GRADATIONS
For the first time in an APS-C camera, the a6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones without banding. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space.
IMPORT AND USE CUSTOM LUT FILES
See how your footage will look in post-processing while you're shooting S-Log. The a6700 allows you to import a user LUT (Look Up Table) in the .cube format that can be applied to the camera's monitor image to preview what the images will look like when the LUT is applied in post-production.
SMARTER REAL-TIME TRACKING
The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The a6700 can even track people wearing helmets, or animals facing away from the camera.
HIGH FRAME RATE 4K 120P RECORDING
High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasised or transformed into smooth slow motion. S&Q mode also enables recording of slow or quick motion sequences in camera from the outset.
ACTIVE MODE FOR ENHANCED MOVIE IMAGE STABILISATION
Active Mode provides powerful image stabilisation for handheld movie shooting. The a6700 can accurately detect camera shake which is then precisely compensated for optically, providing highly effective stabilisation without sacrificing mobility, even when shooting 4K.
AI-BASED AUTO FRAMING FOR MOVIES
Through AI-based subject recognition technology, the Auto Framing feature automatically crops the frame to keep the subject in a prominent position when shooting movies. Even if the camera is mounted on an unmanned tripod, framing is continually adjusted so that recorded footage looks like the subject was being followed by an experienced camera operator.
Clear Image Zoom
Still images
Approx. 2x
Movies
Approx. 1.5x (4K), Approx. 2x (HD)
Exposure control
METERING SENSITIVITY
EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)
Metering Type
1200-zone evaluative metering
Exposure Compensation
+/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)
ISO Sensitivity (Recommended Exposure Index)
Still images: ISO 100 - 32000 (expandable to ISO 50 - 102400), AUTO (ISO 100 - 6400, selectable lower limit and upper limit) Movies: ISO 100 - 32000 equivalent, AUTO (ISO 100 - 6400, selectable lower limit and upper limit)
Anti-Flicker Shoot.
Yes
Flash
Flash compensation
+/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)
Control
Pre-flash TTL
type
-
External Flash Compatibility
Sony a System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe
Focus system
type
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
FOCUS POINT
Still images: Max. 759 points (phase-detection AF) Movies: Max. 495 points (phase-detection AF)
Other Features
AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie)
AF illuminator
Yes (with Built-in LED type)
Focus Sensitivity Range
EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)
Recognition Target (Still images)
Human, Animal, Bird, Insect, Car, Train, Airplane
Recognition Target (Movies)
Human, Animal, Bird, Insect, Car, Train, Airplane
LCD Screen
Touch Panel
Yes
Number of Dots
1 036 800 dots
Adjustable Angle
Opening Angle: Approx. 176°, Rotation Angle: Approx. 270°
type
7.5 cm (3.0-type) type TFT
Movie Functions
Slow & Quick Motion (S&Q)
Yes
Proxy Recording
Yes
TC/UB
Yes
Movie Recording Format (XAVC HS 4K)
3840 x 2160 (4:2:0, 10bit) (Approx.)
119.88p (200 Mbps), 100p (200 Mbps), 59.94p (150 Mbps / 75 Mbps / 45 Mbps), 50p (150 Mbps / 75 Mbps / 45 Mbps), 23.98p (100 Mbps / 50 Mbps / 30 Mbps)
3840 x 2160 (4:2:2, 10bit) (Approx.)
119.88p (280 Mbps), 100p (280 Mbps), 59.94p (200 Mbps / 100 Mbps), 50p (200 Mbps / 100 Mbps), 23.98p (100 Mbps / 50 Mbps)
Movie Recording Format (XAVC S 4K)
3840 x 2160 (4:2:0, 8bit) (Approx.)
119.88p (200 Mbps), 100p (200 Mbps), 59.94p (150 Mbps), 50p (150 Mbps), 29.97p (100 Mbps / 60 Mbps), 25p (100 Mbps / 60 Mbps), 23.98p (100 Mbps / 60 Mbps)
3840 x 2160 (4:2:2, 10bit) (Approx.)
119.88p (280 Mbps), 100p (280 Mbps), 59.94p (200 Mbps), 50p (200 Mbps), 29.97p (140 Mbps), 25p (140 Mbps), 23.98p (100 Mbps)
Movie Recording Format (XAVC S HD)
1920 x 1080 (4:2:0, 8bit) (Approx.)
119.88p (100 Mbps / 60 Mbps), 100p (100 Mbps / 60 Mbps), 59.94p (50 Mbps / 25 Mbps), 50p (50 Mbps / 25 Mbps), 29.97p (50 Mbps / 16 Mbps), 25p (50 Mbps / 16 Mbps), 23.98p (50 Mbps)
1920 x 1080 (4:2:2, 10bit) (Approx.)
59.94p (50 Mbps), 50p (50 Mbps), 29.97p (50 Mbps), 25p (50 Mbps), 23.98p (50 Mbps)
Movie Recording Format (XAVC S-I 4K)
3840 x 2160 (4:2:2, 10bit) (Approx.)
59.94p (600 Mbps), 50p (500 Mbps), 29.97p (300 Mbps), 25p (250 Mbps), 23.98p (240 Mbps)
Movie Recording Format (XAVC S-I HD)
1920 x 1080 (4:2:2, 10bit) (Approx.)
59.94p (222 Mbps), 50p (185 Mbps), 29.97p (111 Mbps), 25p (93 Mbps), 23.98p (89 Mbps)
Power Consumption
With Viewfinder
Still images: Approx. 3.6 W (with E PZ 16-50mm F3.5-5.6 OSS lens attached), Movies: Approx. 5.2 W (with E PZ 16-50mm F3.5-5.6 OSS lens attached)
With LCD screen
Still images: Approx. 3.5 W (with E PZ 16-50mm F3.5-5.6 OSS lens attached), Movies: Approx. 5.3 W (with E PZ 16-50mm F3.5-5.6 OSS lens attached)
Recording System
Memory Card Slot
Slot for SD (UHS-I/II compliant) memory card
Recording system (movie)
Video Compression
XAVC S: MPEG-4 AVC/H.264 XAVC HS: MPEG-H HEVC/H.265
Audio Recording Format
LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit)³?, LPCM 4ch (48 kHz 24 bit)³?
Recording system (still image)
Recording Format
JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
Image Size (pixels) [3:2]
APS-C L: 6192 x 4128 (26 M), M: 4384 x 2920 (13 M), S: 3104 x 2064 (6.4 M)
Image Quality Modes
RAW, JPEG, HEIF (4:2:0 / 4:2:2), RAW & JPEG, RAW & HEIF
RAW Output
Yes
Shutter
Shutter Type
Mechanical shutter / Electronic shutter
SHUTTER SPEED
Still images (Mechanical shutter): 1/4000 to 30 s, Bulb Still images (Electronic shutter): 1/8000 to 30 s Movies: 1/8000 to 1 s
Flash Sync. Speed
1/160 s
Electronic Front Curtain Shutter
Yes (ON/OFF)
USB Streaming
VIDEO DATA FORMAT
MJPEG, YUV420
Video Resolution
3840 x 2160 (15p / 30p) 3840 x 2160 (12.5p / 25p) 1920 x 1080 (30p / 60p) 1920 x 1080 (25p / 50p) 1280 x 720 (30p) 1280 x 720 (25p)
AUDIO DATA FORMAT
LPCM 2ch (16bit 48 kHz)
Viewfinder
Viewfinder Type
1.0 cm (0.39 type) electronic viewfinder (XGA OLED)
Magnification
Approx. 1.07x (35 mm camera equivalent: Approx. 0.70x) with 50 mm lens at infinity, -1 m?¹
Eye Point
Approx. 22 mm from the eyepiece lens, 19.4 mm from the eyepiece frame at -1 m?¹ (CIPA standard)
Number of Dots
2 359 296 dots
Dioptre Adjustment
-4.0 to +3.0 m?¹
Finder Frame Rate Selection
NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps
Weight
Body only
Approx. 409 g
Weight (with battery and memory card included)
Approx. 1 lb 1.4 oz
Body only (oz.)
Approx. 0 lb 14.5 oz
Dimensions
Dimensions (W x H x D)
Approx. 122.0 x 69.0 x 75.1 mm, Approx. 122.0 x 69.0 x 63.6 mm (FROM GRIP TO MONITOR)
Dimensions (W x H x D) (in.)
Approx. 4 7/8 x 2 3/4 x 3 inches, Approx. 4 7/8 x 2 3/4 x 2 5/8 inches (FROM GRIP TO MONITOR)
Drive
Continuous Drive Speed (approx. max.)
Hi+: 11 fps
No. of recordable frames (approx.)
JPEG Extra fine L: 143 frames JPEG Fine L: over 1000 frames JPEG Standard L: over 1000 frames RAW: 59 frames RAW & JPG: 44 frames RAW (Lossless Compressed): 23 frames RAW (Lossless Compressed) & JPEG: 18 frames
Pixel Shift Multi Shooting
-
Image Stabilization
type
Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)
Mode
Still images: On / Off Movie: Active / Standard / Off
Compensation Effect
5.0 stops (based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long exposure NR off.)
Lens Compensation
Setting
Shading, Chromatic Aberration, Distortion, Breathing (Movie)
Operating temperature
Operating Temperature
0 - 40 ? / 32 - 104 °F
Audio
Microphone
Built-in, stereo
Speaker
Built-in, monaural
Camera Section
Number of Pixels (Effective)
Still images: Approx. 26.0 megapixels max. Movies: Approx. 19.9 megapixels max.
Number of Pixels (total)
Approx. 27.0 megapixels
type
APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor
Color Temperature Range
2500 K - 9900 K
Anti-Dust System
Yes
Interface
HD Output
HDMI micro connector (Type-D), 3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10bit / RGB 8bit
Multi Interface Shoe
Yes (with Digital Audio Interface)
PC Interface
Mass Storage / MTP
Multi / Micro USB Terminal
-
NFC™
-
Sync terminal
-
Wireless LAN (Built-In)
Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))44,45
Bluetooth
Yes (Bluetooth Standard Ver. 4.2 (2.4 GHz band))
Mic Terminal
Yes (3.5 mm Stereo minijack)
Headphone Terminal
Yes (3.5 mm Stereo minijack)
Remote Control (Wireless)
Yes (Bluetooth remote control)
LAN Terminal
-
USB Type-C® Terminal
Yes (SuperSpeed USB 5 Gbps (USB 3.2) compatible)
Functions
Send to smartphone Remote control via smartphone PC Remote
Playback
Modes
Enlarged display mode, Protect, Rating, Shot Mark (Movie), Divider Frame, Crop, Photo Capture
Power
USB Power Supply
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Supplied Battery
One rechargeable battery pack NP-FZ100
Battery Life (Movie, continuous recording)
Approx. 190 min (Viewfinder) / Approx. 185 min (LCD monitor) (CIPA standard)
Internal Battery Charge
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Battery Life (Still Images)
Approx. 550 shots (Viewfinder) / Approx. 570 shots (LCD monitor) (CIPA standard)
Battery Life (Movie, actual recording)
Approx. 95 min (Viewfinder) / Approx. 100 min (LCD monitor) (CIPA standard)
Accessibility
Functions
Screen Reader, Focus Magnifier, Focus Map (Movie), Peaking Display, Subject Recognition in AF, Touch Focus, Touch Tracking, Touch Shutter, Touch AE, Vari-angle LCD screen, Custom function
What's In The Box
Supplied Accessory
Rechargeable Battery NP-FZ100, Shoulder strap, Body cap, Accessory shoe cap, Eyepiece cup
Other Features
Other Features
Soft Skin Effect, Creative Look, Custom function, Picture Profile, Time-lapse, Auto Framing, My Image Style
Allowances
As an international traveller you are entitled to bring a certain amount/value of goods that are free of Customs duty and exempt Goods and Services tax (GST) into New Zealand. This is called your duty free allowance and personal goods concession. It is important to review these for any purchases you make on The Mall.
Your duty free allowance entitles you to bring into New Zealand the following quantities of alcohol products free of customs duty and GST provided you are over 17 years of age. You do need to be 18 years or over to purchase.
- Up to six bottles (4.5 litres) of wine, champagne, port or sherry or
- Up to twelve cans (4.5 litres) of beer
- And three bottles (or other containers) each containing not more than 1125ml of spirits, liqueur, or other spirituous beverages
Goods other than alcohol and tobacco, whether purchased overseas or purchased duty free in New Zealand, that have a combined total value not exceeding NZ$700 may also be brought as part of your personal goods concession.
When travelling overseas there are legal limits on the amount of duty free alcohol and other goods you can take with you. These amounts will vary depending on the country you are flying into. We always recommend you check the latest limits and exemptions.
Click & Collect
Your order can be picked up at an Auckland Airport Collection Point. There is one in departures and one at arrivals in the international terminal. Alternatively, if you are arriving between 11pm and 6am you will be able to collect your order from our lockers. See map
Please bring your order confirmation email and your passport. If you are collecting from lockers you will have been sent an email with your access code, be sure to have this on you in order to collect your order.
If you’re departing Auckland Airport, we recommend that you come to the Auckland Airport Collection Point at least 60 minutes before your flight. If you miss your pickup time or your flight details have changed please let us know as soon as possible.
When you collect your order you will have the opportunity to inspect the items and sign for them.
If you need to return an item, our Collection Point team are there to help you. If you are collecting after hours please return the item to your locker and our team will be in touch as soon as possible. You may also like to view our Returns & refunds which provides information on how this works and outlines the individual retailer's returns and refunds policies.
After Hours Collections
If your order needs to be collected after the Auckland Airport Collection Point desk is closed, your order will be placed in the lockers next to the desk. All the details you will need to collect your order will be provided in your Order Confirmation and Ready to Collect Email.